by Malika Oufkir (1999)
A gripping memoir that reads like a political thriller--the story of Malika Oufkir's turbulent and remarkable life. Born in 1953, Malika Oufkir was the eldest daughter of General Oufkir, the King of Morocco's closest aide. Adopted by the king at the age of five, Malika spent most of her childhood and adolescence in the seclusion of the court harem, one of the most eligible heiresses in the kingdom, surrounded by luxury and extraordinary privilege. Then, on August 16, 1972, her father was arrested and executed after an attempt to assassinate the king. Malika, her five younger brothers and sisters. and her mother were immediately imprisoned in a desert penal colony. After fifteen years, the last ten of which they spent locked up in solitary cells, the Oufkir children managed to dig a tunnel with their bare hands and make an audacious escape. Recaptured after five days, Malika was finally able to leave Morocco and begin a new life in exile in 1996. A heartrending account in the face of extreme deprivation and the courage with which one family faced its fate, Stolen Lives is an unforgettable story of one woman's journey to freedom
Justin Wintle
A portrait of the Burmese activist minister and non-violence advocate describes the factors that contributed to her house arrest in 1989, her work to promote non-aggressive civil resistance, and her receipt of the Nobel Peace Prize in 1991.
Jean Sasson
Chronicles Mayada Al-Askari's experiences after being thrown into Iraq's Baladiyat Prison, the headquarters of Saddam Hussein's secret police.
Christopher S. Celenza
“Machiavellian”—used to describe the ruthless cunning of the power-obsessed and the pitiless—is never meant as a compliment. But the man whose<i style="mso-bidi-font-style: normal"> name became shorthand for all that is ugly in politics was more engaging and nuanced than his reputation suggests. Christopher S. Celenza’s <i style="mso-bidi-font-style:normal">Machiavelli: A Portrait removes the varnish of centuries to reveal not only the hardnosed political philosopher but the skilled diplomat, learned commentator on ancient history, comic playwright, tireless letter writer, and thwarted lover. Machiavelli’s hometown was the epicenter of the Italian Renaissance in the fifteenth century, a place of unparalleled artistic and intellectual attainments. But Florence was also riven by extraordinary violence. War and public executions were commonplace—Machiavelli himself was imprisoned and brutally tortured at the behest of his own government. These experiences left a deep impression on this keen observer of power politics, whose two masterpieces—<i style="mso-bidi-font-style:normal">The Prince and <i style="mso-bidi-font-style:normal">The Discourses—draw everywhere on the hard-won wisdom gained from navigating a treacherous world. But like many of Machiavelli’s fellow Florentines, he also immersed himself in the Latin language and wisdom of authors from the classical past. And for all of Machiavelli’s indifference to religion, vestiges of Christianity remained in his thought, especially the hope for a redeemer—a prince who would provide the stability so rare in Machiavelli’s worldly experience.
Paul Moon
Against the background of a people in almost terminal crisis, Ngapua emerges as a potential saviour, with a career plagued by powerful opponents who at times conspire to defeat him. This epic journey into the life of one of the greatest Maori leaders of the last two centuries also offers what is, at times, a major reinterpretation of Maori politics.