La spatialisation du dessin dans l'art américain des années 1960 et 1970

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Sharyn R. Udall

The Southwest has long beckoned the artist. But too often, art made by Euro-Americans drawn to this region has either "basked in the sunny celebration of the picturesque, the exotic, and the sentimental" or appropriated the myths and art of Native Americans. In this collection of essays, Sharyn R. Udall explores the work of some of the painters who have found stimulus in the ideas, people, and myths of the Southwest, among them Georgia O'Keeffe, Marsden Hartley, Page Allen, and Woody Gwyn. They saw the Southwest in new ways, drawing inspiration from the very light and topography of the region. Udall's goal is to open and enlarge the discussion by rejecting the "neat, circumscribed way of seeing" common to traditional art history. Thus, she declares, one is able to encourage a fresh look at these painters and their work, and at the larger relationships of nature and culture in the Southwest.

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Brian O'Doherty

"When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of Artforum in which they appeared have become nearly impossible to obtain. This edition also includes "The Gallery as a Gesture," a critically important piece published ten years after the others." "O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery were based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system." "These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States."--Jacket.

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Jacquelyn Days Serwer

American Kaleidoscope: Themes and Perspectives in Recent Art features fourteen contemporary artists who live and work in the United States. The book's three major themes - Spiritual Expressions, Shared Concerns, and Historical Perspectives - are discussed in an insightful introductory essay by Jacquelyn Days Serwer, chief curator at the National Museum of American Art. Building on these themes, brief essays on each of the artists by Serwer and other members of the NMAA curatorial staff illuminate the chosen works in the context of the careers of these artists. Forty-one of their paintings, sculptures, and installations are illustrated in color, supplemented by eighty-six black-and-white reproductions.

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Samuel Y. Edgerton, Jr

This ambitious book explores the relationship between the Western "scientific revolution" that began with Galileo in the early seventeenth century and the Renaissance "artistic revolution" inaugurated by Giotto three hundred years earlier. The fruit of many years of thought and research, it demonstrates the crucial role that Italian Renaissance painting, sculpture, and architecture played in what we call "modern science." Samuel Y. Edgerton, Jr., shows that rather than being symptomatic in nature, the arts served as a catalyst for the transformation in perception which occurred in the West in the fourteenth century. According to Edgerton, the new way in which "reality" was represented, through the use of the unique Renaissance tools of perspective and chiaroscuro, set the stage for modern scientific practice.