Launch vehicles

Sample

Marcela Iacub

"En 1857, un groupe de jeunes gens s'abandonnant aux joies d'une partouze dans un hôtel particulier sont condamnés pour outrage public à la pudeur, parce qu'un curieux les épiait par le trou de la serrure. En 1893, les étudiants des Quatr'z Arts déclarent aux juges la guerre du nu. Dans les années 1960, les nudistes et les femmes en monokini provoquent des controverses passionnées. Chaque fois les mêmes questions se posent : où finit le public et où commence le privé? Que peut-on montrer, que doit-on cacher? A travers une enquête qui mêle le droit, l'architecture, la littérature et la psychiatrie, Marcela Iacub raconte l'histoire de la pudeur publique. On y découvre comment le droit a longtemps partagé le monde visible entre licite et illicite, substituant à l'espace réel un espace institutionnel et politique. Aujourd'hui, ce vieux mot de pudeur a disparu de nos codes pour être remplacé par celui de Sexe. Mais, loin de faire le récit épique d'une liberté durement conquise, Marcela Iacub analyse les transformations des techniques par lesquelles l'Etat s'est donné notre sexualité en spectacle au cours des deux derniers siècles, et a conditionné nos espaces, nos vêtements, nos pratiques et même certaines de nos maladies mentales. Elle invite ainsi à une histoire politique du regard"--Page 4 of cover.

Sample

Amit Goswami, with Maggie Goswami

You may not qualify as a scientist, but you love reading science fiction and are intrigued by problems of time, space, mind, and reality. You'd like nothing better than to explore the solar system, travel to the stars, and really penetrate the mysteries of hyperspace, curved space, black holes, and supernovae. The Cosmic Dancers will take you through the most challenging concepts of modern physics with the aid of examples from such masters of science fiction as Isaac Asimov, Robert Heinlein, Arthur C. Clarke, Robert Silverberg, and Ursula K. Le Guin, not to mention their predecessors H. G. Wells, Jules Verne, and Cyrano de Bergerac.

Sample

Robin Dunbar

Apes and monkeys, humanity's closest kin, differ from other animals in the intensity of their social relationships. All their grooming is not so much about hygiene as it is about cementing bonds, making friends, and influencing fellow primates. But for early humans, grooming as a way to social success posed a problem: given their large social groups of 150 or so, our earliest ancestors would have had to spend almost half their time grooming one another - an impossible burden. What Dunbar suggests - and his research, whether in the realm of primatology or in that of gossip, confirms - is that humans developed language to serve the same purpose, but far more efficiently. It seems there is nothing idle about chatter, which holds together a diverse, dynamic group - whether of hunter-gatherers, soldiers, or workmates. Anthropologists have long assumed that language developed in relationships among males during activities such as hunting. Dunbar's original and extremely interesting studies suggest otherwise: that language in fact evolved in response to our need to keep up to date with friends and family. We needed conversation to stay in touch, and we still need it in ways that will not be satisfied by teleconferencing, e-mail, or any other communication technology. As Dunbar shows, the impersonal world of cyberspace will not fulfill our primordial need for face-to-face contact.

Sample

Ann Gaylin

"Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know, and offers a paradigm of narrative transmission and reception of information among characters, narrators, and readers. Gaylin sheds light on the social and psychological effects of the nineteenth-century rise of information technology and accelerated flow of information, as manifested in the anxieties about - and delight in - displays of private life and its secrets. Analyzing eavesdropping in Austen, Balzac, Dickens, Collins, and Proust, she demonstrates the flexibility of the scene to produce narrative complication or resolution, to foreground questions of gender and narrative agency, and to place the debate of privacy and publicity within the literal and metaphoric spaces of the nineteenth-century novel. This innovative study will be of interest to scholars of nineteenth-century English and European literature."--Jacket.