Le Paris surréaliste

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Barry Miles

"The Beat Hotel has been closed for nearly forty years. But for a brief period - from just after the publication of Howl in 1957 until the building was sold in 1963 - it was home to Allen Ginsberg, William Burroughs, Gregory Corso, Brion Gysin, Peter Orlovsky, Harold Norse, and a host of other luminaries of the Beat Generation. Now, Barry Miles - acclaimed author of many books on the Beats and a personal acquaintance of many of them - vividly excavates this remarkable period and restores it to a historical picture that has, until now, been skewed in favor of the two coasts of America." "A cheap rooming house on the bohemian Left Bank, the hotel was inhabited mostly by writers and artists, and its communal atmosphere spurred the Beats to incredible heights of creativity."--BOOK JACKET.

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Sebastian Faulks

A worthy successor to Birdsong' Alain de BottonIn 1942, Charlotte Gray, a young scottish woman, goes to Occupied France on a dual mission: to run an apparently simple errand for a British special oeprations group and to search for her lover, an English airman who has gone missing in action. In the small town of Lavaurette, Sebastian Faulks presents a microcosm of France and its agony in 'the black years'. Here is the full range of collaboration, from the tacit to the enthusistic, as well as examples of extraordinary courage and altruism. Through the local resistance chief Julien, Charlotte meets his father, a Jewish painter whose inspiration has failed him.In a series of shocking narrative climaxes in which the full extent of French collusion in the Nazi holocaust is delineated, Faulks brings the story to a resolution of redemptive love. In the delicacy of its writing, the intimacy of its characterisation and its powerful narrative scenes of harrowing public events, Charlotte Gray is a worthy successor to Birdsong.

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Illustrated with photos

Biography of a famous English actress who wrote Journal of a Residence on a Georgian Plantation, which recorded her observations of slavery on her husband's estates.

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John Guy

This book is a dramatic reinterpretation of the life of Mary, Queen of Scots. Crowned Queen of Scotland at nine months of age, and Queen of France at 16, at 18 Mary ascended the throne that was her birthright and began ruling one of the most fractious courts in Europe, riven by religious conflict and personal lust for power. She rode out at the head of an army in both victory and defeat; saw her second husband assassinated, and married his murderer. She was a woman so magnetic, so brilliant in conversation that her cousin, Elizabeth I, refused to meet her in the course of their lifetimes for fear of being overshadowed or outwitted. At 25 she entered captivity at the hands of her rival queen, from which only death would release her. The life of Mary Stuart is one of unparalleled drama and conflict. From the labyrinthine plots laid by the Scottish lords to wrest power for themselves, to the efforts made by Elizabeth's ministers to invalidate Mary's legitimate claim to the English throne, John Guy returns to the archives to explode the myths and correct the inaccuracies that surround this most fascinating monarch. He also explains a central mystery: why Mary would have consented to marry - only three months after the death of her second husband, Lord Darnley - the man who was said to be his killer, the Earl of Bothwell. He also solves, through careful re-examination of the Casket Letters, the secret behind Darnley's spectacular assassination at Kirk o'Field. With great pathos, Guy illuminates how the imprisoned Mary's despair led to a reckless plot against Elizabeth - and thus to her own execution. The portrait that emerges is not of a political pawn or a manipulative siren, but of a shrewd and charismatic young ruler who relished power and, for a time, managed to hold together a fatally unstable country. The book is a work of historical scholarship that offers radical new interpretations of an ancient story. - Publisher.