Lifeless

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Peter James

"The last words Jamie Ball hears from his fiancée, Logan Somervile, are in a terrified mobile phone call from her. She has just driven into the underground car park beneath the apartment block where they live in Brighton, and seen a man acting strangely. Then she screams and the phone goes dead. The police are on the scene within minutes, but Logan has vanished, leaving behind her neatly parked car and cell phone. That same afternoon, workmen digging up an old asphalt path in a park in another part of the city, unearth the remains of a young woman in her early twenties, who has probably been dead for 30 years. At first, to Detective Superintendent Roy Grace and his Major Crime Team, these two events seem totally unconnected. But then another young woman in Brighton goes missing and another body from the past surfaces. At the same time a strange man visits an eminent London psychiatrist, claiming to have a piece of information on the missing woman, Logan, that turns out, at first, to be wrong-or so it seems. It is only later Roy Grace makes the chilling realization that this one thing is the key to both the past and the present-and now, beyond any doubt, he knows that Brighton has its first ever serial killer"--

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P.D. James

Cheverell Manor is a lovely old house in deepest Dorset, now a private clinic belonging to the famous plastic surgeon George Chandler-Powell. When investigative journalist Rhoda Gradwyn arrived there one late autumn afternoon, scheduled to have a disfiguring and long-standing facial scar removed, she had every expectation of a successful operation and a pleasant week recuperating.Two days later she was dead, the victim of murder.To Commander Adam Dalgliesh, who with his team is called in to investigate the case, the mystery at first seems absolute. Few things about it make sense. Yet as the detectives begin probing the lives and backgrounds of those connected with the dead woman--the surgeon, members of the manor staff, close acquaintances--suspects multiply all too rapidly. New confusions arise, including strange historical overtones of madness and a lynching 350 years in the past. Then there is a second murder, and Dalgliesh finds himself confronted by issues even more challenging than innocence or guilt.P. D. James has gained an enviable reputation for creating detective stories of uncommon depth and intricacy, combined with the sort of humanity and perceptiveness found only in the finest novelists. The Private Patient ranks among her very best.

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Ruth Rendell

The fourth in the Chief Inspector Wexford series, reissued in B format to tie-in with the long awaited new Wexford prequel, Monster in the Box.A man and his daughter lie dead after a car accident. Strangely, no other car was involved and no cause has been found. Wexford's only option is to wait and hope that the one surviving victim – the mother, Mrs Fanshawe – regains consciousness. But when she finally awakens six weeks later, Wexford's attention has already been distracted by a new and very violent case. Walking by the canal that same morning, Wexford discovered the bloody body of Charlie Hatton.The two cases are obviously unrelated, although something is bothering Wexford and he can't work out why or what. But just as he begins to wonder whether there could in fact be a connection, the unexpected occurs: the Fanshawe daughter, believed to be killed in the accident, appears at her mother's beside very much alive...

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Christopher Fowler

It's a crime tailor-made for the Peculiar Crimes Unit: a controversial artist is murdered and displayed as part of her own outrageous installation. No suspects, no motive, no evidence--it's business as usual for the Unit's cantankerous founding partners, Arthur Bryant and John May. But this time they have an eyewitness. According to twelve-year-old Luke Tripp, the killer was a cape-clad highwayman atop a black stallion. As implausible as the boy's story sounds, Bryant and May take it seriously when "The Highwayman" is spotted again, striking a dramatic pose at the scene of his next outlandish murder. Whatever the killer's real identity, he seems intent on killing off a string of minor celebrities while becoming one himself. As the tabloids look to make a quick bundle on "Highwayman Fever," Bryant and May, along with the newest member of the Unit, May's agoraphobic granddaughter, April, find themselves sorting out a case involving an unlikely combination of artistic rivalries, sleazy sex affairs, the Knights Templars, and street gang feuds. To do it, they're going to have to use every orthodox--and unorthodox--means at their disposal, including myth, witchcraft, and the psychogeographic history of the city's "monsters," past and present.And if one unsolvable crime weren't enough, this case has disturbing links to a decades-old killing spree that nearly destroyed the partnership of Bryant and May once before...and may again. The Peculiar Crimes Unit is one murder away from being closed down for good--and that murder could be their own.From the Hardcover edition.