Londres y el liberalismo hispánico

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Nathalie Aubert

Poète belge de langue française, Christian Dotremont (1922-1979) a poursuivi, tant au sein des grandes avant-gardes artistiques du XXe siècle (le surréalisme, le surréalisme-révolutionnaire et Cobra) qu'individuellement, une recherche personnelle qui l'a placé non seulement au coeur des débats littéraires et philosophiques de son temps, mais aussi, comme nombre d'artistes de sa génération, au centre des débats éthiques et politiques. Cet ouvrage retrace l'intégralité de son parcours.

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David Lodge

"Human Consciousness, long the province of literature, has lately come in for a remapping - even rediscovery - by the natural sciences, driven by developments in Artificial Intelligence, neuroscience, and evolutionary biology. As the richest record we have of human consciousness, literature, David Lodge suggests, may offer a kind of understanding that is complementary, not opposed, to scientific knowledge. Writing with characteristic wit and brio, and employing the insight and acumen of a skilled novelist and critic, Lodge here explores the representation of human consciousness in fiction (mainly English and American) in light of recent investigations in the sciences."--BOOK JACKET.

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Kathleen M. Glenn and Janet Pérez

"Cristina Fernandez Cubas is, without question, one of the most important of the Spanish writers who have begun to publish since the end of the Franco dictatorship. Credited with playing a major role in the renaissance of the short story in Spain, she has won national and international acclaim for her fiction. Works by her have been translated into eight languages and have become a staple of university courses on contemporary Peninsular literature. Fernandez Cubas has created a remarkably coherent narrative world, nourished by a core of fundamental concerns. The eleven essays of Mapping the Fiction of Cristina Fernandez Cubas examine the intellectual preoccupations, narrative strategies, and rhetorical devices that distinguish the four volumes of short stories, two novels, the play, and the book of memoirs that she has published to date."--Jacket.

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Kole Omotoso

This is a controversial new study on Africa's two most widely read and, arguably, her finest writers. Despite their shared levels of prestige, each represents a distinct pole of Nigerian writing. On the one hand, there's Soyinka, the playful imagist steeped in the myth and magic of his native Yoruba culture; at the other end of the spectrum, Achebe's internalized Igbo cultural traditions. Kole Omotoso - himself a prolific writer and prize-winning Nigerian novelist - explores and defines the differences in style, background, and vision between the two men. Individual chapters describe their childhood, their cultural influences, political involvement, their stand during the Nigerian civil war, their attitudes to the world at large, their contribution to the language debate in African literatures, and there is also a chapter devoted to Achebe's and Soyinka's responses to their critics. The works of Achebe and Soyinka are considered against three main agendas: the pan-African agenda, the Nigerian nation-state agenda, and the ethnic national agenda. Despite their shared nationality, their contribution towards creating 'a community of sensibilities' in Nigeria is questioned by the author in terms of the instability that has bedevilled Nigeria and, by extension, other African countries.