Love saves the day

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Merle Drown

"Jim Hutchins is holding a twelve gauge shotgun on his sworn enemy, his well-to-do brother-in-law, Emory Holler. What has made Jim snap?"--BOOK JACKET. "Well, Emory is rich because he's collected the insurance money for the supposedly accidental death of his wife, Jim's only sister. Pauline, Jim's wife, spends her spare time dancing naked for Emory. And Jim's best - his only - friend has suddenly died of an embolism."--BOOK JACKET. "In addition, the IRS is dunning Jim for back taxes; the town is about to seize the land on which the Hutchins have been living, in a trailer, since their house burned down; and each of his living children - two sons and a daughter - is in some sort of bizarre difficulty. Besides this, there is a panty thief roaming the area."--BOOK JACKET. "You might think this is enough for any man to confront but there is more, much more. Jim, an indomitable hero, shows us the hidden side of his small New Hampshire town with humor and penetrating insight into human frailty."--BOOK JACKET.

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Gail Godwin

Every evening at five o'clock, Christina and Rudy stopped work and began the ritual commonly known as Happy Hour. Rudy mixed Christina's drink with loving precision, the cavalier slosh of Bombay Sapphire over ice shards, before settling across from her in his Stickley chair with his glass of Scotch. They shared a love of language and music (she is an author, he a composer, after all), a delight in intense conversation, a fascination with popes, and nearly thirty years of life together.What did I think, that we had forever? muses Christina, seven months after Rudy's unexpected death. While coming to terms with her loss, with the space that Rudy once inhabited, Christina reflects on their vibrant bond--with all its quirks, habits, and unguarded moments--as well as her passionate sorrow and her attempts to reposition herself and her new place in the very real world they shared.In this literary jewel, a bittersweet novella of absence and presence and the mysterious gap between them, Gail Godwin has performed a small miracle. In essence, Evenings at Five is a grief sonata for solo instrument transposed into words. Interwoven with meditations and movements, full of aching truths and a wicked sense of humor, it exquisitely captures the cyclical nature of commitment--and the eternal quality of a romance completed.

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Amy Bloom

"Amy Bloom gets more meaning into individual sentences than most authors manage in whole books."--The New YorkerA great short story has the emotional depth and intensity of a poem and the wholeness and breadth of a novel. Amy Bloom writes great short stories. Her first collection, Come to Me, was a finalist for the National Book Award, and here she deepens and extends her mastery of the form. Real people inhabit these pages, the people we know and are, the people we long to be and are afraid to be: a mother and her brave, smart little girl, each coming to terms with the looming knowledge that the little girl will become a man; a wildly unreliable narrator bent on convincing us that her stories are not harmless; a woman with breast cancer, a frightened husband, and a best friend, all discovering that their lifelong triangle is not what they imagined; a man and his stepmother engaged in a complicated dance of memory, anger, and forgiveness. Amy Bloom takes us straight to the center of these lives with rare generosity and sublime wit, in flawless prose that is by turns sensuous, spare, heartbreaking, and laugh-out-loud funny. These are transcendent stories: about the uncertain gestures of love, about the betrayals and gifts of the body, about the surprises and bounties of the heart, and about what comes to us unbidden and what we choose.From the Hardcover edition.

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Wendy Wasserstein

"A dinner party in an ornate mansion on the fashionable Upper East Side of Manhattan provides the scene for this witty and incisive play. Set in two eras - the early 1900s and our own Gilded Age - the characters move effortlessly from one period to the other. The host, a contemporary master of high-risk arbitrage, steps in and out of character as a robber baron of an earlier time. His guests of today include a Hollywood director, a not-so-cutting-edge sculptor, an online lingerie designer, an aggressive publicist, and an aging historian. Their counterparts from the past are the great man's rebellious son, a grand dame of New York society, the architect who built the mansion originally, and the maids and servants who maintain it. In this dance of rich storytelling and social commentary, it becomes strikingly clear that while old money has become new, little else has changed over the years. Children still rebel against their controlling parents, women still hope for love, and greed, snobbery, and angst persist. Black-and-white photos within text."--BOOK JACKET.