Make believe in film and fiction

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Edward Branigan

Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everyday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others. Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil.

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edited and with introductions by Susan Wood

A collection of twenty-four essays concerned with writing in general, the field of fantasy and science fiction, and with the author's own writing.

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Joe Bray

"The epistolary novel is a form which has been neglected in most accounts of the stylistic development of the novel. This book argues that the way that the eighteenth-century epistolary novel represented consciousness had a significant influence on the later novel." "The letters studied here reveal complex tensions within the divided minds of their writers. The close stylistic analysis presented in this study suggests that the epistolary novel can probe individual psychology in sophisticated depth." "Critics have drawn a distinction between the self at the time of writing and the self at the time at which events or emotions were experienced. This book demonstrates that the tensions within consciousness are the result of a continual interaction between the two selves of the letter-writer. It charts the oscillation between these two selves in the epistolary novels of, amongst others, Aphra Behn, Eliza Haywood, Samuel Richardson, Fanny Burney and Charlotte Smith. The final chapter analyses the subtle way in which Jane Austen represents the consciousness of her characters and argues that, like many later novelists, Austen is indebted to the psychological tension and inner conflict which are characteristic of the epistolary novel."--Jacket.

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edited and with an introduction by Harold Bloom

This book, a collection of contemporary criticism on J.R.R. Tolkien's "The Lord of the Rings," contains essays by Michael Moorcock, Jane Chance, Michael N. Stanton, Mark T. Hooker, Jared Lobdell, Marjorie Burns, Andrew Lynch, Sue Zlosnik, Verlyn Flieger, Mary R. Bowman, and Nancy Enright.