Making Theatre

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Jean-Paul Sartre

In these four plays, Jean-Paul Sartre, the great existentialist novelist and philosopher, displays his mastery of the drama. No Exit is an unforgettable portrayal of hell. The Flies is a modern reworking of the Electra-Orestes story. Dirty Hands is about a young intellectual torn between theory and praxis. The Respectful Prostitute is a scathing attack on American racism. 4 plays about an existential portrayal of Hell, the reworking of the Electra-Orestes story, the conflict of a young intellectual torn between theory and conflict and an arresting attack on American racism.

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Sophocles

"Oedipus, the former ruler of Thebes, has died. Now, when his young daughter Antigone defies her uncle, Kreon, the new ruler, because he has prohibited the burial of her dead brother, she and he enact a primal conflict between young and old, woman and man, individual and ruler, family and state, courageous and self-sacrificing reverence for the gods of the earth and perhaps self-serving allegiance to the gods of the sky." "Echoing through Western culture for more than two millennia, Sophocles' Antigone has been a touchstone of thinking about human conflict and human tragedy, the role of the divine in human life, and the degree to which men and women are the creators of their own destinies. This exciting new translation of the play is extremely faithful to the Greek, eminently playable, and poetically powerful." "For readers, actors, students, teachers, and theatrical directors, this new translation of one of the greatest plays in the history of the Western world provides the best combination of contemporary, powerful language, along with superb background and notes on meaning, interpretation, and ancient beliefs, attitudes, and contexts"--Book jacket.

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Federico García Lorca. Ed. Joaquín Forradellas

A partir de la muerte de su marido, Bernarda Alba se encierra con sus 5 hijas ya adultas para guardar luto por un período de 8 años, permitiendo únicamente el ingreso a la casa de Pepe el Romano, un misterioso aristócrata que llega a caballo cada atardecer, y que está comprometido con la hija mayor. La más joven de las hermanas y otra hermana tambien se enamoran de Pepe.

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Barbara Voglino

"The vast difference in the quality of the plays written by Eugene O'Neill during his thirty-year career as a dramatist (1913-43) has evoked considerable wonder among critics. The fact is, nothing in O'Neill's forty-five theatrical endeavors of varying merit prior to 1939 suggests the unmistakable touch of genius which radiates from his last plays - A Touch of the Poet (1939), The Iceman Cometh (1940), Long Day's Journey into Night (1941), Hughie (1942), and A Moon for the Misbegotten (1943)."--BOOK JACKET. "At least one valid explanation for this phenomenon is the greatly improved endings of the late plays."--BOOK JACKET. "To date no one has attempted to account for the disparity in quality between O'Neill's earlier and late work by means of a thorough examination of his play-endings. In "Perverse Mind" author Barbara Voglino performs this long-neglected function concerning the work of the artist considered by many to be America's foremost dramatist by studying nine plays - three from approximately each decade of O'Neill's career - in the light of contemporary closure theories."--BOOK JACKET.