Mallarmé on fashion

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Gillian Conahan

"This essential handbook offers detailed, step-by-step instructions that cover the basics of sewing costumes (which often require skills not found in standard sewing guides) to help even the most novice sewists create the costumes of their dreams. A skilled crafter and avid cosplayer, Gillian Conahan walks readers through finding inspiration online and through their fandom; shares insight into translating character art into real-world garments; and offers advice on pattern selection, alterations, fabrics, and embellishment techniques. The book also features 11 original step-by-step basic patterns--such as jumpsuits, jackets, and pants. It then suggests ideas for mixing and matching these basics to create costumes of all styles, including superheroes, pirates, elves, school girls, and adventurers"--Provided by publisher.

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Neil L. Whitehead

"Can we understand violence not as evidence of cultural rupture but as a form of cultural expression itself? Ten prominent scholars engage this question across geographies as diverse at their theoretical positions, drawing on fieldwork in Indonesia, Cambodia, Mozambique, Rwanda, Sierra Leone, South Africa, South America, Sri Lanka, Spain, and the United States. This research makes clear that within specific cultures, violent acts are expressions of cultural codes imbued with great meaning for both perpetrator and victim. Covering wide-ranging regimes of violence, these essays examine various aspects of state violence, legitimate and illegitimate forms of violence, the impact of anticipatory violence on daily life, and its effects long after the events themselves have passed. In the marginal spaces of global ethnoscapes, violence becomes a form of cultural affirmation and expression in the face of a loss of "tradition" and dislocations of ethnic communities."--Jacket.

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Tom Sandqvist

"In Dada East Tom Sandqvist shows that Dada did not spring full-grown from a Zurich literary salon but grew out of an already vibrant artistic tradition in Eastern Europe - particularly Romania - that was transposed to Switzerland when a group of Romanian modernists settled in Zurich. Bucharest and other cities in Romania had been the scene of Dada-like poetry, prose, and spectacle in the years before World War I. One of the leading lights was Tristan Tzara, who begn his career in avant-garde literature at fifteen when he cofounded the magazine Simbolul. Tzara - who himself coined the term "Dada," inspired by an obscure connection of his birthday to an Orthodox saint - was at the Cabaret Voltaire that night, along with fellow Romanians Marcel, Jules, and Georges Janco and Arthur Segal. It's not a coincidence, Sandqvist argues, that so many of the first dadaist group was Romanians. Sandqvist traces the artistic and personal transformations that took place in the "little Paris of the Balkans" before they took center stage elsewhere, finding sources as varied as symbolism, futurism, and folklore. He points to a connection between Romanian modernists and the Eastern European Yiddish tradition; Tzara, the Janco brothers, and Segal all grew up within Jewish culture and traditions." "For years, the communist authorities in Romania disowned and disavowed Romania's avant-garde movements. Now, as archives and libraries are opening to Western scholars, Tom Sandqvist tells the secret history of Dada's Romanian roots."--Jacket.

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contributing authors, Roland Dorn ... [et al

"Published to accompany a major touring exhibition, this book brings together for the first time the great portraits from all periods of the painter's life. The story begins with the relatively unknown body of vivid, carefully executed drawings of orphans and paupers produced in The Hague when he was a young man. It continues with van Gogh's time in Paris, where the influence of Impressionism, Japanese art, and contemporaries like Gauguin and Bernard led him to produce some of his most famous images.". "Each work is reproduced and set in context by leading scholars. Individually, their essays focus on particular groups of work, shedding new light on van Gogh's aims and methods. Collectively, they establish the centrality of portraiture to his oeuvre."--BOOK JACKET.