Adios, Oscar
de Peter Elwell
Despite his friends' teasing, Oscar the caterpillar studies to prepare for becoming a butterfly and migrating to Mexico, so when things do not turn out as he expects, he is still able to make his dream come true.

by Gabriel Garci a Ma rquez (2006)
"Cuenta la vida de este anciano solitario, un apasionado de la música clásica, nada aficionado de las mascotas y lleno de manías. Por él sabremos cómo en todas sus aventuras sexuales (que no fueron pocas) siempre dio a cambio algo de dinero, pero nunca imaginó que de ese modo encontraría el verdadero amor."-- P. [4] of cover.
de Peter Elwell
Despite his friends' teasing, Oscar the caterpillar studies to prepare for becoming a butterfly and migrating to Mexico, so when things do not turn out as he expects, he is still able to make his dream come true.
Suzanne Braun Levine
The kinds of love we can experience in a lifetime are limited only by our imagination. Women in their fifties, sixties, and seventies are living--and defining--a totally new love narrative. Whether they are already experiencing intimacy, joy, and great sex, or need the inspiration and support to go for it, readers will be energized by the stories of new ways of loving: relationships found (sometimes with younger men); rediscovered childhood sweethearts; long-standing ones enriched; and Internet adventures that feature choices and daring that would have been unimaginable not so long ago. This book is the "next chapter" in Levine's ongoing conversation with women in Second Adulthood, the stage of life she defined and celebrated in Fifty Is the New Fifty. As she explores the changes and opportunities for women in midlife, Levine's personal voice, experience, and research infuse each chapter with fresh revelations and reassurance.--From publisher description.
Sigmund Freud
"The traditional story about the historical origins of Freudian psychoanalysis implies that the Oedipus complex was part of Freudian theory from the very beginning. However, in this first edition of Three Essays on Sexuality, first published in 1905 and never before translated into English, we find no reference whatsoever to the Oedipus complex. Is there a Freudian psychoanalysis that is not Oedipal? This first version of Freud's Three Essays articulates just such a non-Oedipal psychoanalysis. As such, it still has a definite 'emancipatory' potential; Freudian psychoanalysis is not Oedipal in its very nature. It is only from 1909 onwards that psychoanalysis tends to become a sophisticated defence of what Freud first called the 'popular opinion' about sexuality. It was precisely this 'popular opinion' that psychoanalysis originally was meant to deconstruct. Is there a Freudian escape - that is an escape that remains not so much within Freudian orthodoxy, but at least within its inspiration - from this impasse? If Freud has respected more systematically his own original thesis, could it be that the Oedipus complex wouldn't be the shibboleth of psychoanalysis? Not only is this first edition less Oedipal than is generally believed, but it also contains the elements for thinking a 'non-Oedipal' psychoanalysis; a Freud against Oedipus"--
Leo Bersani
The title essay in this collection is one of the foundations of queer theory. This is a retrospective, charting Bersani's contributions to debates connecting sexuality, psychoanalysis & aesthetics, & his reactions to a range of leading thinkers, among them Plato, Descartes, Foucault, Genet & Proust.