by Scott Cook (1998)
Although brickmaking was one of the pioneering non-agricultural manufacturing industries in the Rio Grande Valley, as well as in other areas of the lower Rio Grande region, this is the first ethnographic study of the industry. The many and important connections between brickmaking in Mexico and Texas lead author Scott Cook to consider many core issues in the interdisciplinary field of border cultural studies, even as he gives a clear picture of the development and decline of the binational industry. Drawing largely on oral testimonies from living informants and from ten years of fieldwork in surviving sites, Cook explores the organization, development, and techniques of the border brick industry, cataloging the range of organizational forms of brick manufacturing from household-based petty commodity units to wage-labor-based petty capitalist units. He also highlights a series of linkages between production, labor markets, and commodity markets. Finally, he focuses on understanding how and why handmade brick production disappeared in Texas just as it took off into explosive growth in Mexico, roughly in the period from the 1950s to the 1980s.
in chief, Joan Marter
Where is American art in the new millennium? At the heart of all cultural developments is diversity. Access through recent technology engenders interaction with artists from around the world. The visual arts in the United States are bold and pulsating with new ideas.
Marcus Whiffen
Pictures, defines, and gives the history of many architectural styles. Buildings are geographically placed and cross-referenced to particular type.
Philip Niles
"During a period of rapid growth in Portland, after the Lewis & Clark Centennial Exposition and before the Great Depression, Albert E. Doyle was the city's most important architect. Beauty of the City is the first full-length biography of this celebrated architect. Doyle's career was short, just twenty-one years. Yet everywhere Portland retains his imprint. Using A.E. Doyle's own diaries and letters and his firm's records, Philip Niles traces the architect's life and times in the context of the burgeoning cityscape."--Jacket.
Joyce M. Szabo
"Ledger art is the term used to describe Plains Indian drawings and paintings on paper from the second half of the nineteenth century because they were often made on ledger paper readily available from military outposts. Howling Wolf is arguably the single most important ledger artist to emerge from the anonymity of this period. The Southern Cheyenne warrior was not only an extremely skilled artist, he was also the only Plains artist known to have created ledger art in all three phases of the art form: the pre-reservation era, the years from 1875 to 1878 when Indians of the southern Plains were confined at Fort Marion in Florida, and the reservation period. Howling Wolf's drawings while he was a prisoner at Fort Marion and those he made upon returning to the reservation were known, but this book presents the first in-depth examination of his previously undiscovered work from before his incarceration. The author shows ledger art to be a significant record of cultural attitudes of Plains Indian artists at a time when their societies were in great upheaval. She examines the works of art not only as historic documents but as visual statement reflecting the time, place, and society in which they originated. In contrast to the belief that ledger art was a stagnant form adhering to tradition, the author presents ledger art as a dynamic and inventive means of expression."--Book jacket.