Michael Lucero

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(essay by Craig Owens

Since the late 1970s, Allan McCollum (b. 1944, Los Angeles, lives in New York) has addressed the production, distribution, acquisition, display, and reading of the artwork. His constant use of strategies of multiplication, his examination of the museum as a discursive agent, and his recurrent interest in notions of display, as well as his attempt to find a generic form for any purpose, were entirely reconfigured by this displacement of context. Working with regional museums, heterogeneous audiences, and references ranging from palaeontology to mineralogy, McCollum has built a very strong and intriguing body of works that has remained, in large part, unknown to (or at least unseen by) the art world.

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Beth Venn and Adam D. Weinberg

This volume, which accompanies a landmark exhibition at the Whitney Museum of American Art, New York, is the first to focus exclusively on the exquisite landscape paintings and watercolors that Wyeth has been creating throughout his long career. Fluid, expressionistic, often breathtaking in their abstract beauty, these landscapes enable us to view Wyeth's work without the usual focus on narrative and anecdote. By revealing the art behind the story, they offer a fresh basis for understanding Wyeth's genius.

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Leslie Greene Bowman

"The American arts and crafts movement is one of the most significant in the history of the decorative arts ... Here, in this lavishly illustrated volume, are the finest expressions of the American arts and crafts movement."--Description from jacket flap.

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Pati Herling

Modern modern, is a group exhibition curated by Pati Hertling featuring works by 34 contemporary artists. Modern modern points to an emotional and aesthetic sensibility among the artists in the show, who are living and working mostly between Berlin and New York. Despite strong modernist references, stylistic classifications are of no importance in this show. The works are refreshingly unconcerned with the distinctions between 'figuration', 'abstraction' and the 'conceptual' and find another way to communicate their ideas and feelings about their subjects and the world around them. With colors dirty and drab, the absence of evident political commentary or shocking visuals, and an accent on the melancholic, the show is also reflection of the times we are living in right now.