Modern Construction Envelopes

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Andy Goldsworthy

"British artist Andy Goldsworthy, known for creating art outdoors and from natural materials, has now built a 2,278-foot stone wall at Storm King Art Center, a sculpture park on the Hudson River in Mountainville, New York. This sensitive and detailed response to the land - former farmland in an area rich in stone walls - is one of his most impressive and important sculptures.". "The book's stunning color photographs show the wall from every vantage point and in all four seasons, and document ephemeral work made around it. Kenneth Baker's essay considers the Storm King wall in the context of Goldsworthy's previous work, in particular the other walls he has made in the United States, France, and Britain."--BOOK JACKET.

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Karl Sabbagh

Item discribes and discusses the selection, planning and convertion of Bankside Power Station into Tate Modern. A television series of the same title was shown on Channel 4 during April 2000.

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Stanley Abercrombie

Hospitality & Restaurant Design is a selection of topflight design projects that combine the best in interior architecture and design for an increasingly sophisticated public. Wide ranging in its scope, this volume explores everything from the redesign of Swissotel's venerable Drake Hotel in New York to the Glen Campbell Theater with its distinctive curtain design, as well as Stir Crazy, an Asian-style restaurant in Illinois, and themed entertainments such as Ripley's Believe It or Not!. The design solutions in Hospitality & Restaurant Design are organized alphabetically by design firm, with all projects indexed for easy reference. This volume is an inspiration and a necessity to any professional engaged in the many forms of hospitality and restaurant design.

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Sharon O'Dair

Class, Critics, and Shakespeare is a provocative contribution to "the culture wars." It engages with an ongoing debate about literary canons, the democratization of literary study, and of higher education in general. For a generation at least, academic readings of literary works, including those of Shakespeare, have often challenged privilege based on race, gender, and sexuality. Sharon O'Dair observes that in these same readings, class privilege has remained effectively unchallenged, despite repeated invocations of it within multiculturalism. She identifies what she sees as a structurally necessary class bias in academic literary and cultural criticism, specifically in the contemporary reception of William Shakespeare's plays. The author builds her argument by offering readings of Shakespeare that put class at the center of the analysis—not just in Shakespeare's plays or in early modern England, but in the academy and in American society today. Individual chapters focus on The Tempest and education, Timon of Athens and capitalism, Coriolanus and political representation. Other chapters treat the politics of cultural tourism and land-use in the Pacific northwest, and analyze the politics of the academic left in the U.S. today, focusing on the debate between what has been called a "social" left and a "cultural" left. The author's quest is to understand why an intellectual culture that values diversity and pluralism can so easily disdain and ignore the working-class people she grew up with. Her provocative and heartfelt critique of academic culture will challenge and enlighten a broad range of audiences, including those in cultural studies, American studies, literary criticism, and early modern literature. Sharon O'Dair is Associate Professor of English, University of Alabama. (Provided by publisher's site: