Moebius' The Exotics

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Emma Ríos & Hwei Lim

A mysterious asteroid hosts a collection of strange creatures - man-animal hybrids, mythological creatures made flesh, guardian spirits, cursed shadows - and the humans who brought them to life. But this strange society exists in an uneasy truce, in the aftermath of uprisings seeking freedom and acceptance, that have only ended in tragedy. As the ambitious, the desperate and the hopeful inhabitants of the asteroid struggle to decide their shared fate, a force greater than either animal or human seems to be silently watching the conflict, waiting for either side to finally answer the question: what is worthy of being human? EMMA RÃƯOS (PRETTY DEADLY, ISLAND) and HWEI LIM (LALAGE, HERO) present MIRROR: THE MOUNTAIN, the first arc of a story about the mage-scientists of The Synchronia and the sentient animals of Irzah colony. -- ONIX annotation.

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Tony Bedard, writer

A group of different alien races have been taken prisoner and brought to the Negation universe. A number of the prisoners had innate incredible powers while many, like Obregon Kaine however, were merely ordinary humans. Nevertheless, his wisdom and tactical military experience made him the perfect person to lead the prisoners.

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writers, Jeff Parker & Akira Yoshida

Join Mr. Fantastic, the Invisible Woman, the Human Torch and the Thing for a wild ride of all-new, unforgettable exploits.

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Tsutomu Nihei

"Get to know a new character who may be this futuristic series' most traditionally virtuous female. Drawing on deep wells of filial piety and perseverance, unfailingly modest, she is Tsumugi. 'I've read one other series produced by Tsutomu Nihei--Biomega-- which turned me into a major fan of his art and imagination and sensibility, but not so much of his story-telling, because I spent parts of that series mildly puzzled about what was going on (admittedly, I'm not the hardest guy in the world to puzzle when it comes to manga). With Knights of Sidonia, he's clearly trying something a bit more accessible... The art is really good, a simplified, clarified version of the style I've seen Tsutomu Nihei use elsewhere'"--Back cover.