Les Bâtisseurs de cathédrales
Marie-Pierre Perdrizet
Europe, XIIIème et XIVème siècles, les grandes cathédrales gothiques sortent de terre. Reconstitution de cette aventure architecturale et humaine superbement illustrée.

by Henry Adams (1986)
Henry Adams referred to this book as "A Study of Thirteenth-Century Unity," and its expansive scope, together with the author's deep understanding of the period, makes it a classic in art history as well as in American literature. He wrote, "I wanted to show the intensity of the vital energy of a given time, and of course that intensity had to be stated in its two highest terms--religion and art." Henry Adams' record of his journeys through France, searching for images of unity in an age of conflict, is accompanied by observations on literature, politics, religion, and major church leaders such as Abelard, St. Francis of Assisi, and St. Thomas Aquinas.
Marie-Pierre Perdrizet
Europe, XIIIème et XIVème siècles, les grandes cathédrales gothiques sortent de terre. Reconstitution de cette aventure architecturale et humaine superbement illustrée.
Timothy Verdon
This beautiful new book by renowned art historian Timothy Verdon tells the story of the life of St. Francis of Assisi in story and art. The 28 stunning thirteenth-century frescoes by Giotto that cover the walls of the famous Basilica in Assisi named for the saint are reproduced in full color, together with a schematic drawing showing their placement in the church. Through detailed descriptions and illuminating commentary on each of the famous frescoes, Verdon tells the story of Francis's extraordinary life, allowing today's reader the opportunity to "read" the art on those walls in the same way that a medieval Christian might have done.
Matthew Leigh
This study invites the reader to consider Roman comedy in the light of history and Roman history in the light of comedy. It takes issues as diverse as the legal status of the prisoner of war, the ethics of ambush, fatherhood and command, and the clash of maritime and agrarian economies.
[by] Phoebe Stanton. Pref. by Nikolaus Pevsner
The most important exponent of the Gothic Revival in English architecture was Augustus Welby Pugin, who in a short working period, from 1835 until his death in 1852, designed more than a hundred buildings, wrote eight books, and established a flourishing business for the production of metalwork and stained glass. Pugin, a Catholic convert, who equated Gothic architecture with Christianity, expressed his profound religious convictions in his writings and in the building of such churches as St Giles, Cheadle, and St Barnabas, Nottingham. He also designed convents, monasteries, schools, and houses, but is perhaps best known for his superb decorations for the Houses of Parliament. Pugin was well ahead of his time in his advocacy of purity and function in architectural design, but his single-minded assertive perfectionism and fidelity to medieval style earned him many contemporary attacks. This authoritative study by Phoebe Stanton, Associate Professor of the History of Art at The Johns Hopkins University, constitutes an exhaustive and perceptive re-assessment of Pugin's status.