Murder in a mummy case

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Walter Mosley

The police don't show up on Easy Rawlins's doorstep until the third girl dies. It's Los Angeles, 1956, and it takes more than one murdered black girl before the cops get interested. Now they need Easy. As he says: "I was worth a precinct full of detectives when the cops needed the word in the ghetto." But Easy turns them down. He's married now, a father -- and his detective days are over. Then a white college coed dies the same brutal death, and the cops put the heat on Easy: If he doesn't help, his best friend is headed for jail. So Easy's back, walking the midnight streets of Watts and the darker, twisted avenues of a cunning killer's mind....

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Ed McBain

"Downtown" starts on Christmas Eve as Florida orange grower Michael Barnes, in New York on business, runs afoul of bogus cops, thieves, the mob, and a slimy movie producer. McBain piles on the action and absurdity at a furious pace as Barnes sinks deeper and deeper into the worst New York has to offer. McBain has always been adept at infusing his hard-boiled fiction with a sardonic humor that borders on the ludicrous. In "Downtown," he proves he can still walk that tightrope as he balances the hilarity of Barnes' situation with a lean, hard-hitting narrative style. In fact, McBain's humor is so deliberately distracting, you don't realize it when he turns deadly serious. Michael Barnes may be bounced from one jam to another, but he too has a dark side, like most McBain characters. When pushed enough, he too becomes as deadly as his foes and as hard-boiled as any Raymond Chandler creation. "Downtown" is another example of Ed McBain at his best. Highly recommended.

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John Lescroart

"The call comes at midnight. It looks like a tragic and petty murder - a rising star in San Francisco's legal firmament found shot in a dark alley. But for homicide lieutenant Abe Glitsky, the crime cuts horribly close to home - unknown to anyone, the victim was his daughter. Seething, Glitsky leans hard on his only suspect - a homeless heroin addict found lingering over his daughter's body, with her jewelry in his pocket and a smoking gun in his hand.". "The city's embattled, ambitious D.A., Sharron Pratt, sees an opportunity to revive her troubled administration by publicly declaring war on the killer and vowing to deliver the death penalty, putting the case on the fast track to certain conviction. Unable to watch a man die for Pratt's political gain, Dismas Hardy warily takes on the defense. But as Hardy's crusade to secure his client a fair hearing ensues, a lethal web of political corruption, legal conspiracy, and cold-blooded murder begins to unravel. In a case that will send shock waves through the city of San Francisco and echo in the private lives of its most prominent citizens, the hearing is just the beginning."--BOOK JACKET.

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Velda Johnston

Musically talented, but not the prodigy her doting mother believes her to be, twenty-year-old Sara Hargeaves is content to pick up extra money playing cocktail piano at a local San Jimenez hotel lounge--and even happier when she attracts the attention of handsome Dr. Manuelo Covarrubias. When attraction quickens into passion, Sara goes to play for Manuelo's plastic surgery patients at his fashionable California sanatorium. Cherished, looking forward to marrying her sophisticated lover, Sara is stunned when her world falls apart overnight. Manuelo jilts her--and then he is murdered. Dubbed by journalists a "young Jean Harris," Sara is wrongfully jailed for Manuelo's murder. Now, four years later, she escapes from prison to be with her dying mother--only to arrive too late. Befriended by an attractive young law student, Mike Rolfe, Sara must risk her new chance at love and happiness by returning to the sanatorium. Hunted by the police, hounded by memories of the past and present regrets, Sara knows her only hope of lasting freedom lies in uncovering the truth about who really killed Manuelo four years ago, while avoiding an all-too likely reunion with her dead ex-lover. (book cover description)