Not Without My Daughter

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[by] John Pierson

Variety called John Pierson the "guru of independent film." Why? Perhaps because he wrote Spike Lee a $10,000 check to finish She's Gotta Have It; helped make "slacker" a household word; sold the documentary Roger & Me for $3 million; made Clerks famous; and has seen over 1,000 debut features, and (unlike most independent film companies) managed not to lose his shirt while backing those films he liked most. In short, he's been at the epicenter of the tumultuous last decade that changed independent film forever, and launched a new generation of hilarious, ambitious, talented, and sometimes wacked filmmakers. Here, for the first time, he tells it like it is - the unvarnished truth about film financing; the importance of timing and lighting; creating a sensation on the film festival circuit; the dark side of overnight success; the anatomy of the deals that get films to a theater somewhere near you; and what definitely not to do if you want to make a film (illustrated with dozens of embarrassing examples - like having Elvis come back as a golfing vampire who's shooting a feature). As punctuation throughout the book, Pierson and Clerks creator Kevin Smith dish about everything from Batman, sex, and Quentin Tarantino to American Psycho, Matty Rich, and of course, Rob "Vanilla" Weiss, who "typifies everything you don't want to be as a first-time filmmaker." Spike, Mike, Slackers & Dykes is a first of its kind: an inside look at the art, the heart, and the enterprise of the spiteful, fractious, and finally, entertaining place that is the world of independent film.

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Edvard Radzinsky

The execution of Tsar Nicholas II and his family at the hands of revolutionaries in 1918 is one of the pivotal events of the 20th century, an event that brought the 300-year rule of the House of Romanov to a brutal and tragic end and set the tone for the Stalinist atrocities that would follow. The truth behind these murders remained long buried under more than seventy years of myth, legend, and speculation. Then, in a sensational biography that could not have been written before glasnost, noted Russian historian Edvard Radzinsky unearthed solutions to many of the questions that had remained unanswered since the terrible events in Ekaterinburg on the night of July 16-17, 1918. Mining sources long unavailable -- including firsthand accounts of the slaying -- he creates both a fascinating portrait of the monarch and a minute-by-minute account of his terrifying last days. Included is documentation linking the order of execution directly to Lenin, as well as the suggestion that two family members may have survived the ordeal. Included, too, is the testimony of ordinary Russians who at last felt free to contribute their own recollections, documents, and handed-down secrets. Radzinsky weaves together scores of firsthand accounts into a haunting, epic narrative. The Last Tsar is an important and momentous work, one that will stand as the definitive account of the terrible last days of one of Europe's greatest dynasties. - Adapted from dust jacket.

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Lady Hong

These extraordinary memoirs paint a vivid picture of court life in Korea during the middle of the 18th century as the background to a royal family tragedy of epic proportions, as seen through the eyes of a remarkable woman. In these most compelling of palace chronicles Lady Hong tells of her introduction to court life, of her selection as a consort to the Crown Prince at the age of ten, and of her brief years of happiness that were eclipsed by a series of dark events culminating in the madness of her husband and his death at the hands of his father, King Yŏngjo. Written at the end of her life for the benefit of her son and grandson who became kings, Lady Hong’s absorbing and revealing memoirs combine historical authenticity with the artistry of fine literature. ‘…Extraordinary memoirs…(if they) were presented as a work of fiction one would be irresistibly reminded of Vladimir Nabokov’s master piece , ‘Pale of Fire’…’ Auberon Waugh, Sunday Telegraph ‘…a remarkable psychological drama…East Asian Oedipus in reverse…’ John Gittings, The Guardian ‘…heartfelt emotions explained with a striking frankness…a lively autobiographical account…’ Paul Ensor, Far Eastern Economic Review ‘…jewel of a book deserves to become a classic…outstanding as narrative, as drama, and as characterization…’ Aidan Foster-Carter, South

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Claudia O'Keefe

Alice Walker tells a mother's tale of reunion between her daughters: one trapped by tragedy in the dirt-poor South, the other making it big in the city. In an engrossing short story, Marilyn French movingly depicts two young women growing apart in an alcoholic, dysfunctional family. Joy Fielding shapes a humorous but sharp-edged story of the consequences when half-sisters meet for the very first time on a TV talk show. Ann Beattie tells of a pair of friends, as close as sisters, locked in a smothering embrace. In a bittersweet tale, Fae Myenne Ng writes of growing up in a culture that considers a family with only girl children "failed." Recalling her grandmother and great-aunt, Olivia Goldsmith unfolds a dark memoir of sisterhood gone terrifyingly awry. Cristina Garcia relates a poignant account of sisters separated for thirty years, one trapped in Cuba, the other escaped to Miami, reunited at long last. And Rita Dove retells one of the classic fairy tales of sisters, Beauty and the Beast, from the disparate viewpoints of all the women involved.