Obsession

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Faye Kellerman

Billionaire genius Genoa Greeves never got over the shocking death of her favorite teacher, Bennett "Dr. Ben" Alston Little, murdered execution-style and stuffed into the trunk of his Mercedes-Benz. No arrests were ever made, no killer charged for the brutal crime. Fifteen years later, the high-tech CEO reads about another execution-style murder; this time the victim is a Hollywood music producer named Primo Ekerling. There is no obvious connection, but the case is eerily similar to Little's and Genoa feels the time is right to close Dr. Ben's case once and for all—offering the L.A.P.D. a substantial financial "incentive" if justice is finally served for Little.Lieutenant Peter Decker resents having to commit valuable manpower to a fifteen-year-old open case simply because a rich woman says "Jump!" Still, the recent murder of Primo Ekerling does bear a disturbing resemblance to Little's case, even though two thug suspects are currently behind bars for the Ekerling murder. Decker can't help but wonder about a connection. His first phone calls are to the two primary investigators in the Little case, retired detectives Calvin Vitton and Arnie Lamar. Lamar is cooperative, but Vitton is not only reluctant to talk, he winds up dead of a suspicious suicide twelve hours later. Plunging into this long-buried murder, Decker discovers that even though the two slayings are separated by a decade and a half, there is still plenty of greed, lust, and evil to connect the dots.Decker's team of top investigators not only includes his favorite homicide detectives, Scott Oliver and Marge Dunn, but also his newly minted Hollywood detective daughter, Cindy Kutiel, whose help proves to be invaluable. His wife, Rina Lazarus, continues to be his backbone of support, offering a cool, rational outlook despite her growing concern for her husband's welfare and safety. Rina's worries and fears begin to build at a fevered pitch as past and present collide with a vengeance, catapulting an unsuspecting Peter Decker closer and closer to the edge of an infinite dark abyss.A relentlessly gripping tale spun by a master, Faye Kellerman's The Mercedes Coffin races through a dangerous urban world of fleeting fame and false dreams, making heart-pumping hairpin turns at each step of a terrifying journey, where truth and justice are fine lines between life and death.

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Jonathan Kellerman

"Even with all his years of experience, LAPD homicide detective Milo Sturgis knows there are crimes his skill and savvy cannot solve alone. That's when he calls on brilliant psychologist Alex Delaware to read between the lines, where the darkest motives lurk. And if ever the good doctor's insight is needed, it's at the scene of a murder as baffling as it is brutal. There's no spilled blood, no evidence of a struggle, and, thanks to the victim's missing face and hands, no immediate means of identification. And no telling why the disfigured corpse of a stranger has appeared in an upscale L.A. family's home. Chet Corvin, his wife, and their two teenage children are certain the John Doe is unknown to them. And yet their cooperation seems oddly guarded. But even the Corvins' thin response is more than Milo and Alex can elicit from their creepy next-door neighbor--a notorious cartoonist with a warped sense of humor and a seriously antisocial attitude. As the investigation ensues, it becomes clear that this well-to-do suburban enclave has its share of curious eyes, suspicious minds, and loose lips. And as Milo tightens the screws on potential persons of interest--and Alex tries to breach the barriers that guard their deepest secrets--a strangling web of corrupted love, cold-blooded greed, and shattered trust is exposed. Though the grass may be greener on these privileged streets, there's enough dirt below the surface to bury a multitude of sins. Including the deadliest. -- "An affluent family returns home from Sunday dinner only to find the murdered and brutalized corpse of a total stranger in their house. This baffling, twisted tale tests Alex and Milo to their intellectual and emotional limits"--

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Reginald Hill

The internationally bestselling author of "Little Indiscretions" pens a haunting psychological thriller involving cruelty, secrets, and murder at an exclusive private school.

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Sue Grafton

It's April 1988, a month before Kinsey Millhone's thirty-eighth birthday, and she's alone in her office catching up on paperwork when a young man arrives unannounced. He has a preppy air about him and looks as if he'd be carded if he tried to buy a beer, but Michael Sutton is twenty-seven, an unemployed college dropout. More than two decades ago, a four-year-old girl disappeared, and a recent newspaper story about her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial and could identify the killers if he saw them again. He wants Kinsey's help in locating the grave and finding the men. It's way more than a long shot, but he's persistent and willing to pay cash up front. Reluctantly, Kinsey agrees to give him one day of her time. But it isn't long before she discovers Sutton has an uneasy relationship with the truth. In essence, he's the boy who cried wolf. Is his story true, or simply one more in a long line of fabrications? Moving between the 1980s and the 1960s, and changing points of view as Kinsey pursues witnesses whose accounts often clash, Grafton builds multiple subplots and memorable characters. Gradually we see how everything connects in this thriller. And as always, at the heart of her fiction is Kinsey Millhone, a sharp-tongued, observant loner who never forgets that under the thin veneer of civility is a roiling dark side to the soul