by [by] D. S. Chambers (1971)
English translations of written records documenting patronage and working practices in fifteenth- and sixteenth-century Italy, including letters, contracts, extracts from books of payments and other memoranda.
Frederick Hartt
With authority and insight, gained from over 50 years as a teacher and scholar, Professor Hartt traces the course of western art from the Old Stone Age to the present. Coverage of the 20th century has been extensively updated. 1,412 illustrations, 360 in full color.
Phyllis Limbacher Tildes
A gentle, nearsighted peasant girl rescues the legendary Baba Babochka and is rewarded with a magic babushka that enables her to create beautiful "pysanky," or decorated eggs.
Robert Hirsch
"The definitive history of photography book, Seizing the Light: A Social & Aesthetic History of Photography delivers the fascinating story of how photography as an art form came into being, and its continued development, maturity, and transformation. Covering the major events, practitioners, works, and social effects of photographic practice, Robert Hirsch provides a concise and discerning chronological account of Western photography. This fundamental starting place shows the diversity of makers, inventors, issues, and applications, exploring the artistic, critical, and social aspects of the creative process. The third edition includes up-to-date information about contemporary photographers like Cindy Sherman and Yang Yongliang, and comprehensive coverage of the digital revolution, including the rise of mobile photography, the citizen as journalist, and the role of social media. Highly illustrated with full-color images and contributions from hundreds of artists around the world, Seizing the Light serves as a gateway to the history of photography. Written in an accessible style, it is perfect for students newly engaging with the practice of photography and for experienced photographers wanting to contextualize their own work"--The publisher.
Stephen G. Miller
"This book explores the provenance of the so-called Berkeley Herm of Plato, a sculptural portrait that Stephen G. Miller first encountered over thirty years ago in a university storage basement. The head, languishing since its arrival in 1902, had become detached from the body, or herm, and had been labeled a fake. In 2002, while preparing another book, Miller - now an experienced archaeologist - needed an illustration of Plato and remembered this piece and took another look. The marble, he recognized immediately, was from the Greek islands, the inscription appeared ancient, and the ribbons visible on the head were typical of those in Greek athletic scenes." "The Berkeley Plato, rich in scientific, archaeological, and historical detail, tells the fascinating story of how Miller was able to authenticate this long-dismissed treasure. His conclusion, that it is an ancient Roman copy possibly dating from the time of Hadrian, is further supported by art conservation scientist John Twilley, whose essay appears as an appendix. Miller's discovery makes a significant contribution to the worlds of art history, philosophy, archaeology, and sports history and serves as a starting point for new research in the back rooms of museums."--Jacket.