by Jean Sasson (1995)
The Princess Trilogy consists of Princess, A True Story; Princess Sultana's Daugthers; and Princess Sultana's Circle. Sultana is a Saudi Arabian princess, born to uncountable wealth. She has four mansions on three continents, her own private jet, glittering jewels, designer dresses galore. But she has no freedom, no control over her own life, no value but as a bearer of sons. Sultana is a member of the Saudi royal family, closely related to the king. For the sake of her daughters, she has decided to take the risk of speaking out about the life of women in her country, regardless of their rank. She must hide her identity for fear that the religious leaders in her country would call for her death to punish her honesty. Only a woman in her position could possibly hope to escape from being revealed and punished. Although Sultana lives with constant fear of retribution, her passion to provide her daughters a better life transcends her fear and fuels her desire for change. Review "A fascinating look at the lifestyles of the rich and Saudi." -- Kirkus Reviews "Absolutely riveting and profoundly sad..." -- People "Fascinating...one is compelled to read just one more page, one more chapter once one has started this Arabian nightmare." -- Oxford Review "Must reading for anyone interested in human rights..." -- USA Today
Linda Rodriguez McRobbie
Offers information on historical princesses whose lives were devoid of fairy-tale magic, including the stories of Nazi spy Princess Stephanie von Hohenlohe, mass murderess Princess Olga of Kiev, and warrior mom Princess Rani Lakshmibai.
Jacqueline M. Moore
"Historians of the African American experience after Reconstruction have tended to imply that the black elite served only their own interests, that their exclusive control of black institutions precluded efforts to improve the status of African Americans in general. In Leading the Race, Jacqueline M. Moore reevaluates the role of this black elite by examining how their self-interest interacted with the needs of the black community in Washington, D.C., the center of black society at the turn of the century."--BOOK JACKET.
Nanny Pat
Nanny Pat has always been the heart of her family, and her children and grandchildren regularly pitch up at her house for a cup of tea, a slice of her famous sausage plait and some wise advice. Now, with her trademark warmth and humour, she evokes the colourful East End world of her childhood.
Marie Cardinal
Une femme seule, quelque part dans le midi. Elle rêve à l'Algérie son pays natal perdu il y a longtemps. Elle revoit le port, le quai, le bateau sur lequel elle a embarqué, un bébé dans les bras, sans savoir qu'elle ne reviendrait plus jamais au pays de son enfance. Au fur et à mesure que se déroule la vie quotidienne de la narratrice éclatent à la surface de sa conscience des bulles de souvenirs. Telle la scène, bouleversante, de la mort du père. Elle a quatorze ans et connaît peu cet homme avec qui elle ne vivait pas. Au pied du cercueil où il repose, d'étranges pensées l'assaillent : est-il nu dans sa boîte? Quel homme, désormais pourrait lui donner autant d'amour qu'un père? ... Mais les échappées oniriques de la narratrice ne se bornent pas à l'enfance. D'autres scènes, d'autres hommes viennent la visiter sous sa tonnelle. -- Back cover.