Rails in the Fells

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essays by Dena Merriam and Eleanor Munro

Carole A. Feuerman's sculpture combines superrealist technique with a humanist approach to her subjects. This first monograph on her work is filled with David Finn's dramatic photographs covering two decades of her work, including many enlarged details and multiple views, providing a cinematic, almost three-dimensional experience. The work - in resin, cast marble, bronze, and other materials, often painted - ranges from early erotic reliefs through full-scale sculptures of athletes and nudes. Her women at their toilette are sculptural tours-de-force, yet their intimacy recalls Degas's works on similar themes. Recent fragments and body mappings are experiments with abstraction, deconstruction and conceptualism, at the same time that they explore the emotional life of their subjects penetrating to their spirit. All of Feuerman's work reflects the two aspects of her vision. Her work is motivated by questions about the nature of reality, and her remarkable skill as an artist leads the viewer to the same questions. Yet beyond the simulacrum of reality, Feuerman also manages to convey the feeling behind the intense physicality, the passion and sensuality behind the seemingly mundane pose.

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Gerhard Richter

Gerhard Richter, born in Dresden in 1932, is one of the foremost painters of his generation. A great deal has been written about the bewildering heterogeneity of his work over the past 30 years, his seemingly willful and defiant movement between abstract and figurative modes of representation and his use of a variety of methods of applying paint to canvas. And Richter himself is the master of the paradoxical statement. Although he has emphasized that he is foremost a painter and has never been a theorist, throughout his career he has issued provocative and memorable statements. Over seven years in preparation, this book makes available a selection of Richter's texts, many translated for the first time. These texts come from all periods of his career, beginning with a letter he wrote to a film company promoting the first group show of German Pop Art in 1963, in which he was a participant. There are public statements about specific exhibitions, private reflections drawn from personal correspondence, answers to questions posed by critics, and excerpts from journals discussing the intentions, subjects, methods, and sources of his works from various periods. The writings are accompanied by 87 biographical illustrations from the artist's personal collection.

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William A. Gardner

By providing a comprehensive collection of contributions on the history and current state of the art in this rapidly emerging field, this book gives you a complete survey of the theory, applications, and mathematics of cyclo-stationarity. It brings together the latest work in the field by the foremost experts and presents it in a tutorial fashion. From this book, you will learn new concepts, methods, and algorithms for performing signal processing tasks and designing and analyzing communications systems. Cyclostationarity in Communications and Signal Processing features both broad chapters and more narrowly focused articles that provide in-depth surveys reviewing the newest developments in specific areas. The tutorial style, coupled with the comprehensive reference lists that are provided, make this book instrumental in furthering progress in understanding and using cyclostationarity in all fields where it arises.

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Bud Hannings

"This history of the primary fortifications established during 400 tumultuous years in what would become the United States of America. Under each state's heading, this substantial volume contains alphabetized entries with information regarding each structure's history. Beginning with the American Revolution, each of the American military fortifications, militia forts, settlers' forts and blockhouses is listed and described"--Provided by publisher.