by Paul M. Sniderman, Edward G. Carmines (1997)
If white Americans could reveal what they really think about race, without the risk of appearing racist, what would they say? In this innovative book, Paul Sniderman and Edward Carmines illuminate aspects of white Americans' thinking about the politics of race previously hidden from sight. And in a thoughtful follow-up analysis, they point the way toward public policies that could gain wide support and reduce the gap between black and white Americans. Their discoveries will surprise pollsters and policymakers alike. The authors show that prejudice, although by no means gone, has lost its power to dominate the political thinking of white Americans.
Peter Mackay
The memoir of a man (1926 - 2013) who, after emigrating to Southern Rhodesia (now Zimbabwe) in 1948, was active in promoting African liberation in Nyasaland (now Malawi) and Rhodesia, working with nationalist leaders like Yatuta Chisiza in Nyasaland and James Chikerema and George Nyandoro in Rhodesia. This book covers the years 1959 - 1967.
Christo Brand, with Barbara Jones
After more than a decade as a prison guard overseeing Nelson Mandela (1918-2013), Brand, with the assistance of Mail on Sunday Africa correspondent Jones, chronicles the unlikely personal relationship they built.
Carol Flake
New Orleans, home of the great American blowout bash - Mardi Gras - is the exotic city on the Bayou that thumbs its nose at the conservative spirit of the rest of the South. And Mardi Gras, that wild, uninhibited, frenzied festival of multiculturalism, music, sex, and the outer limits of debauchery, is the city's annual and legendary celebration of itself. But what really lies behind the masks and myths of a "pagan" festival older than baseball but less purely American than any other celebration? Despite all the glamour and popularity of Mardi Gras, few people know the real New Orleans - a city that is still socially stratified, racially divided, constrained by secrets. A city whose shocking double life was tragically exposed when national headlines publicized a proposal to desegregate the krewes, the quasi-cabalistic organizations that control the carnival and much of the town. Carol Flake returned to New Orleans, after more than a decade away, to chronicle a season of Carnival, to write about the paradox of an enduring rite in a crumbling city. Following the participants as they prepared for the parades and balls that make up the gala season, she found herself on a journey into a unique form of culture where ordinary standards of taste and behavior simply don't apply. She moved from subculture to subculture, from white uptown parlors and high society enclaves to French Quarter retreats, black jazz bars, and gay drag shows. She joined an all-women krewe for a float ride down Canal Street and dressed as a dancing girl in the satirical parade of the Krewe de Vieux. She visited the secret dens of elite traditional clubs and attended the open meetings of an embattled city council . Carnival, for all its rituals and disguises, mirrors New Orleans society, with its peculiar social hierarchies, its pockets of strange tradition, its madcap diversity, its partiality to drama and spectacle. The controversy surrounding Carnival is a war over the heart and soul of the city, over the dwindling base of power and money. New Orleans has succumbed to the same troubles that are tearing apart other American cities. In revealing the political, social, and cultural realities behind the grand illusions, Carol Flake has also discovered the common threads that just might bring the city back together. An intimate, surprising, sometimes shocking portrait of a great American city and a timely look at a unique part of the New South, New Orleans is destined to become a classic.
A. Dirk Moses
" ...Often new, probing and rich examinations of the takeover of a continent by white Anglos and the long-term impact ...the book is replete with detailed and meticulously sourced information on the scope, scale and persistence of the cruelty and violence involved - actual and structural - over a 200-year period...there is a great deal in this excellent volume that demands grounds for deep reflection on how Australia came to be what it is." * Patterns of Prejudice "The value of this stimulating collection of historical essays is that it points to both the usefulness of a transnational framework for analysing race thinking and the necessity for close attention to the historical specificity of particular moments and places." * Australian Book Review "[This volume] is an outstanding collection, a challenging conversation between differing viewpoints where discussion is ongoing and cooperative." * Australian Historical Studies Colonial Genocide has been seen increasingly as a stepping-stone to the European genocides of the twentieth century, yet it remains an under-researched phenomenon.This volume reconstructs instances of Australian genocide and for the first time places them in a global context. Beginning with the arrival of the British in 1788 and extending to the 1960s, the authors identify the moments of radicalization and the escalation of British violence and ethnic engineering aimed at the Indigenous populations, while carefully distinguishing between local massacres, cultural genocide, and genocide itself. These essays reflect a growing concern with the nature of settler society in Australia and in particular with the fate of the tens of thousands of children who were forcibly taken away from their Aboriginal families by state agencies. A. Dirk Moses teaches European History and comparative genocide Studies at the University of Sydney, Australia. He is editing another volume in this series entitled Genocide and Colonialism.