by James Boylan (1998)
When they fell in love amid the tumult of the 1905 Russian revolution, they believed they were destiny's match: William English Walling, a wealthy American journalist activist from the Midwest, and Anna Strunsky, an aspiring novelist from San Francisco. Vowing to dedicate themselves to socialist ideals, they soon became celebrities who moved in an elite circle of writers, journalists, and reformers. Ultimately, both their marriage and their political commitment faltered, but not before they had participated in some of the most urgent social causes of their day. Boylan enriches our understanding of the intellectual and cultural background of prewar socialism by skillfully tracing the interplay between private and public lives. At the same time, he illuminates the struggle of those who were born Victorians to adjust to the changing public arena of the modern world.
Yunte Huang
A portrait of nineteenth-century conjoined twins Chang and Eng Bunker describes their rise from savvy side-show celebrities to wealthy Southern gentry and discusses how their experiences reflected America's historical penchant for objectifying differences.
Louis Auchincloss
This volume "examines the lives of New York's 'acceptable' families, the privileged wealthy, during the period 1880-1920. The author uses his close connections to their descendants and other research to tell lively anecdotal histories of the business-dominated, pseudo-aristocracy in democratic America." The Vanderbilt family was highly prominent during the 1800s due to the family patriarch Cornelius Vanderbilt, who created railroad and shipping empires. His descendants went on to build great Fifth Avenue mansions, Newport, Rhode Island summer cottages, the famous Biltmore House and various other exclusive homes. The family members were the leaders of the high society scene and the Gilded Age, until the early 1900s, when the ten great Fifth Avenue mansions were torn down and fellow Vanderbilt homes were sold as museums and the like. This work consists of group portraits among its illustrations of three generations of the Vanderbilt family's conspicuous outward appearances and architectural indulgences.
Shari Benstock
The first new biography of America's foremost woman of letters in twenty years, No Gifts from Chance presents an Edith Wharton for our times. Far from the emotionally withdrawn and neurasthenic victim of earlier portraits, she is revealed here as an ambitious, disciplined, and self-determined woman who fashioned life to her own desires. Drawing on government records, legal and medical documents, and recently opened collections of Wharton's letters, Shari Benstocks̀ biography offers new information on what have been called the key mysteries of her life: the question of her paternity, her troubled relations with her mother and older brothers, her marriage to manic-depressive Teddy Wharton, and her extramarital affair with Morton Fullerton. No Gifts from Chance also examines long-ignored facets of Wharton's life - her complex and often calculating relationships with publishers, her internationally acclaimed charitable work during World War I, and the poignant story of her ultimate financial distress that contributed to her death, a story told here for the first time. At the center of this biography is Wharton's writing life. No Gifts from Chance charts her immense literary productivity (some forty-seven books, including The Age of Innocence, The House of Mirth, and Ethan Frome), tracking her writing processes from notebook entries through editorial revisions and examining the critical reception of her narrative fiction, poetry, travel writing, literary and cultural criticism, and memoir. Here, too, is a rare glimpse of the intricate relationship between the writer's public reputation and her private life, from her lonely literary apprenticeship in late-Victorian America to her emergence as a literary figure in Edwardian England and Belle Epoque Paris, when she developed enduring friendships with Henry James and Bernard Berenson, to her Age of Acclaim as America's most respected writer during the postwar jazz age. A magisterial Edith Wharton dominates these pages: astute and tough-minded in business, passionate and sexually confident in love, audacious and prolific in her art, principled and courageous in her life. This is the story of an artist who had no role models in a society that feared creative and independent women, but who triumphantly defied convention and made herself into America's first great and most beloved woman novelist.
Margaret A. Oppenheimer
"Born Betsy Bowen into grinding poverty, the woman who became Eliza Jumel was raised in a brothel, indentured as a servant, and confined to a workhouse when her mother was in jail. Yet by the end of her life, "Madame Jumel" was one of America's richest women, with servants of her own, a New York mansion and Saratoga Springs summer home, a major art collection, and several hundred acres of land. During her remarkable rise, she acquired a fortune from her first husband--a French merchant--and almost lost it to her second--notorious vice president Aaron Burr. Divorcing Burr amid lurid charges of adultery, Jumel lived on to the age of 90, astutely managing her property and public persona. After her death, a titanic battle over her estate went all the way to the United States Supreme Court--twice. Family members told of a woman who earned the gratitude of Napoleon I and shone at the courts of Louis XVIII and Charles X. Claimants to her estate painted a different picture: of a prostitute, the mother of George Washington's illegitimate son, a wife who defrauded her husband and perhaps even plotted his death. Eliza Jumel's real story--so unique that it surpasses any invention--has yet to be told, until now. "--