Ricoeur and Kant

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Peter Poellner

This book offers a new and comprehensive interpretation and a detailed critical assessment of Nietzsche's later ideas on epistemology and metaphysics, drawing extensively not only on his published works but also his voluminous notebooks, largely unpublished in English. The author examines Nietzsche's various distinct lines of thought on the traditionally central areas of philosophy and shows in what specific sense Nietzsche, as he himself claimed, might be said to have moved beyond these questions. Throughout the book, considerable attention is paid both to the historical context of his writings and to subsequent developments in philosophy - English-language as well as Continental European. Among the themes discussed are Nietzsche's relation to scepticism and to evolutionary epistemology; his analysis of 'objective reality' and the associated 'perspectivism'; his criticism of the metaphysician's 'will to truth' and the related analysis of the intellectual paradigm he called the 'ascetic ideal'; his notion of unconscious mental states; and the concept of the will to power and its relation to metaphysics. Dr Poellner, while recognizing the originality of Nietzsche's influential new philosophical paradigm, shows that his thought has closer affinities to the philosophical tradition than is often supposed.

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Philip L. Quinn

In this wide-ranging study, Quinn argues that human moral autonomy is compatible with unqualified obedience to divine commands. He formulates several versions of the crucial assumptions of divine command ethics, defending them against a battery of objections often expressed in the philosophical literature. --PUBLISHER DESCRIPTION.

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Richard Double

Why is debate over the free will problem so intractable? This question forms the starting point for Richard Double's ground-breaking account of the way metaphilosophical views - our differing conceptions of the philosophical enterprise - condition competing theories of free will. Double holds that any argument for or against a specific free will position - such as compatibilism, incompatibilism, or the author's own subjectivism - will be persuasive only if one adopts supporting meta-level views of what philosophy is. He argues further that since metaphilosophical considerations are not provable (and are not even true or false, if subjectivism is true), there can be no hope of showing one free will theory to be more reasonable than the rest. Rather, the most philosophers can do is make a desire-based case for preferring their package of metaphilosophy and substantive free will theories. These means that argument in the free will problem must be radically reinterpreted. Double begins by elaborating the connection between metaphilosophy and free will. He identifies four distinct meta-level viewpoints that drive different answers to the free will problem: Philosophy as Conversation; Philosophy as Praxis; Philosophy as Underpinnings; and Philosophy as World View Construction. From there, he discusses intermediate-level principles that work in combination with the meta-philosophies, then provides ten applications from recent free will debates that demonstrate how differences in meta-philosophy make the free will problem unsolvable. In the second half of the book Double makes the strongest case he can - consistent with his own metaphilosophical view - for accepting free will subjectivism.

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Kathleen Lundeen

"In Knight of the Living Dead, Kathleen Lundeen investigates Blake's work in the context of his spiritualistic practices, and shows how he attempts to create a discourse that circumvents the binary of natural and arbitrary signs. Her examination of his word-image art demonstrates that, in Blake's view, what we recognize as word or image depends upon our epistemological orientation, just as what we term "matter" or "spirit" is determined by our state of perception. It further shows how Blake critiques textual theory in both his songs and prophecies by stabilizing the two sets of parameters that are used to define and classify signs: the general and particular, and the literal and figurative. Moreover, she argues, Blake provides an epistemological alternative to empiricism and rationalism in his poetry and art. Through verbal and visual experiments he defies the logic that is rooted in sense perception and reason, and he attempts through those experiments to return textuality to a divinely literal condition. By treating spiritualism as an aesthetic practice and art as an otherworldly communication, he undermines the institutionalized boundaries in art and life, and presents a formidable challenge to the whole matter/spirit dualism upon which Western culture is based."--BOOK JACKET.