Origins
curators, Avril Quaill and Susan Jenkins
Collaboration between the Festival of the Dreaming and Studio One National Print Workshop; includes works by thirteen Indigenous artists; information about the artist and their print.

by Marente Bloemheuvel [and three others (2016)
Publication with reproductions of 69 Polaroids by Dutch cinematographer Robby Müller (1940-2018). Since the mid-seventies, Müller made about 2000 Polaroid images, which show his sensitivity to light. Next to his widely known pictures of hotel rooms and street scenes, nature motifs caught his eye more than any other subject. Müller liked to photograph trees in all seasons: vibrant in spring, colored in autumn or surrounded by winter fog. The specific color quality of the Polaroids is exemplary in the images of the flowers. Selected, edited and introduced by Andrea Müller-Schirmer, designed by Linda van Deursen, with a contribution by French cinematographer Agnès Godard.
curators, Avril Quaill and Susan Jenkins
Collaboration between the Festival of the Dreaming and Studio One National Print Workshop; includes works by thirteen Indigenous artists; information about the artist and their print.
Susan Chevlowe
"While American Jews are commonly considered a homogenous ethnic group, the reality today is far more complex. Conversion, adoption, intermarriage, and immigration have transformed the fabric of Jewish communities, as they have the United States as a nation. This book explores questions of American Jewish identity and how Jews fit today into larger discourses of race, ethnicity, and religion. Featuring ten photographic and video projects by emerging and mid-career artists, all commissioned by The Jewish Museum, the book presents a range of provocative discussions of the nature of Jewish identity in twenty-first-century America."--BOOK JACKET.
curator, Siumee H. Keelan
This book offers the unique opportunity to look at contemporary art enriched by a multicultural experience and framed by a shared Arab identity.
essay, Dieter Ronte
"The book celebrates the extraordinary oeuvre of Christo and Jeanne-Claude from their earliest projects up until their latest work, the Gates in Central Park, launched in February, 2005." "Famous for their fabric installations involving both urban and rural sites, Christo and Jeanne-Claude have created some of the most controversial and compelling artworks of the twentieth century. On either a moderate or monumental scale, they offer a powerful artistic experience that can be transcendental or outrageous, depending on one's perspective. Christo and Jeanne-Claude obscure objects, buildings and landscaping by wrapping them, with the intent that reducing visual accessibility enables these to be perceived in entirely new ways. Their art spans the whole globe and their artistic language is perceived as one of compelling immediacy." "Christo and Jeanne-Claude fund all their projects - which cost nothing to visitors - by means of aesthetic recycling, that is, the sale of original works created in connection with their projects. In this way, the financial risk for each major project is borne by the artists, not by the purchasers of their works." --Book Jacket.