Rosemarie Trockel

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Eduard Hüttinger

"The Swiss artist, designer and architect Max Bill (1908-1994) remains a key figure in Europe's applied arts and is one of Concrete and Constructive art's most influential exponents. Bill's 100th birthday offers the occasion to cast a new glance at his versatile oeuvre; several of the sculptures, paintings, furnishings, use objects and typographies in this book have only rarely been available for viewing. The texts additionally shed light on Bill's artistic environment and document his influence on other artists."--Jacket.

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essay, Dieter Ronte

"The book celebrates the extraordinary oeuvre of Christo and Jeanne-Claude from their earliest projects up until their latest work, the Gates in Central Park, launched in February, 2005." "Famous for their fabric installations involving both urban and rural sites, Christo and Jeanne-Claude have created some of the most controversial and compelling artworks of the twentieth century. On either a moderate or monumental scale, they offer a powerful artistic experience that can be transcendental or outrageous, depending on one's perspective. Christo and Jeanne-Claude obscure objects, buildings and landscaping by wrapping them, with the intent that reducing visual accessibility enables these to be perceived in entirely new ways. Their art spans the whole globe and their artistic language is perceived as one of compelling immediacy." "Christo and Jeanne-Claude fund all their projects - which cost nothing to visitors - by means of aesthetic recycling, that is, the sale of original works created in connection with their projects. In this way, the financial risk for each major project is borne by the artists, not by the purchasers of their works." --Book Jacket.

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[edited by Katya Garcia-Antón

The exhibition features black and white photographs documenting the artist's interventions at the House of the People in Bucharest, Romania (2005) and in Stommeln, Frankfurt, Germany (2006).

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Ralph Rugoff

Scene of the Crime surveys thirty-five years of West Coast art, investigating aesthetic practices that address the art object as a kind of evidence, a clue to absent meanings and prior actions. From seminal works by Ed Ruscha, Bruce Nauman, Barry Le Va, and Vija Celmins to recent works by artists such as Paul McCarthy, James Luna, Anthony Hernandez, and Sharon Lockhart, this art declares that it is about more than meets the eye and raises the suspicion that a significant segment of contemporary art demands a forensic reading.