Second-hand cultures

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to Beverly

Esta antología completa la obra teórica del autor y reúne los textos sobre fotografía más importantes del artista e intelectual. Los veinticinco ensayos que componen este volumen, aparecen ordenados cronológicamente y en él se suceden desde textos ya publicados en algunas de las obras más conocidas de Berger, hasta artículos inéditos aparecidos en catálogos de exposiciones. También comparte sus visiones con colegas como Sebastião Salgado o Martine Franck y reflexiona sobre la obra fotográfica de Henri Cartier-Bresson, Paul Strand o Eugene Smith.

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Jens Kamlah and Hélène Sader

A Unique Monumental Building dating to the early part of the Middle Bronze Age (ca. 1900-1700BCE) was uncovered at the southern Lebanese coast by the joint Lebanese-German excavation project at Tell el-Burak. The impressive architecture of the building was exposed in eight excavation sites during the years 2001-2011. Inside the largest room of the Monumental Building (room 10) the excavations broat to light the discovery of the Middle Bronze Age mural paintings in situ on lime plaster covering the inner faces of the mud-brick walls. This volume consists of all excavation results concerning the Middle Bronze Age at Tell el-Burak (area 1 and area 2). It furthermore includes an introduction to the joint Lebanese-German excavation project, chapters relating to the site, and the final publication of the excavated remains of the Mamluk-Ottoman periods in area 1.

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Kembrew McLeod and Rudolf Kuenzli, eds

The contributors to this book focus on collage and appropriation art, exploring the legal ramifications of such practices in an age when private companies can own culture using copyright and trademark law.

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[Deyan Sudjic

A brilliant exposé of the interaction between art, design, and commerce. What is it that persuades us to camp outside Apple stores to be the first to buy an iPhone? Why is it that a generation ago a typewriter might have lasted someone a lifetime, but now we write on computers that we upgrade every couple of years to shinier, faster, sleeker models? Why do the clicks of some car doors sound “expensive”? Deyan Sudjic charts our relationship—both innocent and knowing—with all things designed. From the opulent excesses of the catwalk to the playfulness of an Alessi jam jar, he shows how we can be manipulated and seduced by our possessions. With scintillating wit he addresses these questions and more, exploring the reasons why every designer yearns to put a personal stamp on a chair or an adjustable lamp, and where design ends and art begins.