Sister Aimee

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James Lincoln Collier

Louis Armstrong. "Satchmo." To millions of fans, he was just a great entertainer. But to jazz aficionados, he was one of the most important musicians of our times--not only a key figure in the history of jazz but a formative influence on all of 20th-century popular music. Set against thebackdrop of New Orleans, Chicago, and New York during the "jazz age", Collier re-creates the saga of an old-fashioned black man making it in a white world. He chronicles Armstrong's rise as a musician, his scrapes with the law, his relationships with four wives, and his frequent feuds with fellowmusicians Earl Hines and Zutty Singleton. He also sheds new light on Armstrong's endless need for approval, his streak of jealousy, and perhaps most important, what some consider his betrayal of his gift as he opted for commercial success and stardom...

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George Weigel

Witness to Hope is the authoritative biography of one of the singular figures -- some might argue the singular figure -- of our time. With unprecedented cooperation from John Paul II and the people who knew and worked with him throughout his life, George Weigel offers a groundbreaking portrait of the Pope as a man, a thinker, and a leader whose religious convictions defined a new approach to world politics -- and changed the course of history. As even his critics concede, John Paul II occupied a unique place on the world stage and put down intellectual markers that no one could ignore or avoid as humanity entered a new millennium fraught with possibility and danger. The Pope was a man of prodigious energy who played a crucial yet insufficiently explored role in some of the most momentous events of our time, including the collapse of European communism, the quest for peace in the Middle East, and the democratic transformation of Latin America. This updated edition of Witness to Hope explains how this "man from a far country" did all of that, and much more -- and what both his accomplishments and the unfinished business of his pontificate mean for the future of the Church and the world.

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Richard Norton Smith

For most of his varied and colorful career, Colonel Robert R. McCormick was the self-proclaimed emperor of "Chicagoland," a Middle American of his own imagination, forever at odds with the alien East and the flaky West. From the 1920s through the mid-1950s, he was editor-publisher of the Chicago Tribune, a joyously combative conservative broadsheet that under his leadership grew to become the most widely read full-size daily in the United States. To admirers he was the scourge of bleeding-heart liberals, an emblem of the Old Order in the age of the New Deal. To detractors he was a half-crazed demagogue whose personal exploitation of a powerful news medium was a flagrant abuse of the public trust. In fact, he was all this - and more. Published to coincide with the 150th anniversary of the Tribune, The Colonel is the first biography to draw on McCormick's personal papers. Richard Norton Smith has written a vivid, candid, sympathetic life of an American original, a lifelong controversialist whose outspoken views, for better and for worse, shaped the political temper of his times. Patterning himself on his grandfather Joseph Medill, Lincoln's ally and Chicago's post-Fire mayor, he found fame as a municipal reformer. During World War I, he was the sole American correspondent to accompany the Russian Army; later, as an officer of the U.S. First Division, he fought with distinction in the Battle of Cantigny. Ever a paradox, he was a strident isolationist whose hobby was military strategy, an implacable anglophobe who adored a good fox hunt, a finger-pointing moralist whose private life bordered on the scandalous. As a publisher he was a ruthless competitor, yet he was also a First Amendment absolutist who effectively, even heroically, defended the press from government coercion. At the height of his power, he oversaw an empire whose holdings included not only the Tribune but also the New York Daily News, the Washington Times-Herald, a large chunk of Canada, and "the most beautiful office building in the world," Chicago's Tribune Tower.

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Doug Fetherling

As a writer, Ben Hecht (1894-1964) operated on many fronts and just as many levels. As a Chicago reporter in the wide-open 1920s, he created a frenetic and extravagant style of journalism. Later, he made his mark as a novelist of the bizarre, and was also one of the most popular playwrights of his day. Still later, as a screenwriter and sometime director in the golden age of Hollywood, he left a permanent stamp on films and on movie legend. Hecht was a prolific writer (35 books and twice as many films) and has come to seem just as prodigious in the combined folklore of Broadway, the movie industry and the newspaper business. But the fact that he worked in so many fields simultaneously has tended to blur his reputation. In this introduction to Hecht's personality and works, Doug Fetherling breaks Hecht's career into five overlapping "lives" or phases. First, there are the darlings of the avant garde, Hecht the Iconoclast and Hecht the Bohemian, at war with the ordinary, who brought about a new appreciation of the modern urban sensibility. Next was Hecht the Sophisticate, who mixed a unique concoction of sentiment and cynicism, a blend that remains a feature of his work and of popular culture between the wars. Then there was Hecht the Propagandist, who, in his work on behalf of the Jewish people, managed to alienate all sides of a bitterly fought series of political confrontations. Finally, there was Hecht the Memoirist who, drawing on previous selves, brought new vigor to what is often a stodgy literary form. While the Hollywood Hecht is best remembered today, Fetherling argues that the whole of his work must be viewed before we can gain insight into any of its parts. In so doing, he has written the first serious examination of a writer who, while at odds with his times, is one without whom they would not have been quite the same.--From publisher description.