Starting photography

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Roger G. Kennedy

Few realize that some of the oldest, largest, and most complex structures of ancient archaeology were built of earth, clay, and stone right here in America, in the Ohio and Mississippi valleys. From 6,000 years ago until quite recently, North America was home to some of the most highly advanced and well organized civilizations in the world - complete with cities, roads, and commerce. From the lost city of Balbantsha, near New Orleans, to the Great Hopewell Road, a causeway for religious pilgrims along the Ohio River in the thirteenth century, these cultures built hundreds of thousands of structures, of which a small but tantalizing portion still remain. Like the Druids of Salisbury Plain, they patterned extraordinarily precise geometry according to the rising and setting of the moon. Like the ancient Egyptians, they organized millions of hours of human labor to construct pyramids, platforms, and plazas. In Hidden Cities, Roger G. Kennedy sets out on a bold quest of recovery - a recovery of the rich heritage of the North American peoples, and a reimagination of the true relations of their modern-day successors and neighbors. From the Spanish and French explorers to the present, very few Euro-Americans have paid attention to the evidence and meaning of this heritage. Building on recent work of many archaeologists and historians, Roger Kennedy presents a fascinating picture of these American antiquities as well as their reception among leading citizens of the young United States. On missions of exploration, politics, and even piracy, men such as George Rogers Clark, George Washington, Albert Gallatin, and Thomas Jefferson frequently chanced upon the architecture of the past. As Kennedy shows us the magnificence of the mound-building cultures through the sometimes-prejudiced eyes of the Founding generation, he reveals not only the astounding history of our continent, but also the reasons why we have refused to credit Native American predecessors with the greatness they deserve.

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Valerie Steele and Jennifer Park

"From its origins in the eighteenth-century literature of terror to its contemporary manifestations in vampire fiction, cinema, and art, the gothic has embraced the powers of horror and the erotic macabre. "Gothic" is an epithet with a strange history - evoking images of death, destruction, and decay. Ironically, its negative connotations have made the gothic an ideal symbol of rebellion for a wide range of cultural outsiders. This gorgeous book is the first in-depth study of the gothic influence on fashion." "Popularly associated with black-clad teenagers and rock musicians, gothic fashion encompasses not only subcultural styles (from old-school goth to cyber-goth and beyond) but also high fashion by such designers as Alexander McQueen, John Galliano of Christian Dior, Rick Owens, Olivier Theyskens, and Yohji Yamamoto. Fashion photographers, such as Scan Ellis and Eugenio Recuenco, have also drawn on the visual vocabulary of the gothic to convey narratives of dark glamour. As the text and lavish illustrations in this book suggest, gothic fashion has deep cultural roots that give it an enduring potency." "Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology (FIT)."--Jacket.

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Harold B. Segel

"In Body Ascendant, Harold Segel shows how obsession with physical culture resonated widely through the modernist movement and traces its profound influence on the arts in the early twentieth century. Segel examines the emergence of modern dance and its impact on virtually all the other arts. He describes the shift from speech to gesture in modern drama and the revival of serious artistic interest in pantomime. And he shows how bold attempts to revitalize literary language paralleled a new emphasis on the direct experience of the writer." "Characterizing the modernist man of letters as a self-styled man of action, Segel reviews the careers of such writers as Gabriele D'Annunzio, F.T. Marinetti, Nikolai Gumilyov, Ernst Junger, Ernest Hemingway, Henry de Montherlant, and Antoine de Saint-Exupery. He offers a broad overview of the various manifestations of the modernist preoccupation with physicality, including the disparagement of Christianity and Judaism for their focus on spiritual life. He clearly establishes the disturbing compatibility between the era's artistic and athletic celebration of body and the eventual rise of totalitarian nationalism and racism. The dark side of the Nazi emphasis on physical perfection as essential to ideal Germanness, Segel notes, was the consistent portrayal of the Jew as physically and racially inferior."--Jacket. In Body Ascendant, Harold Segel shows how obsession with physical culture resonated widely through the modernist movement and traces its profound influence on the arts in the early twentieth century. Segel examines the emergence of modern dance and its impact on virtually all the other arts. He describes the shift from speech to gesture in modern drama and the revival of serious artistic interest in pantomime. And he shows how bold attempts to revitalize literary language paralleled a new emphasis on the direct experience of the writer. Characterizing the modernist man of letters as a self-styled man of action, Segel reviews the careers of such writers as Gabriele D'Annunzio, F. T. Marinetti, Nikolai Gumilyov, Ernst Junger, Ernest Hemingway, Henry de Montherlant, and Antoine de Saint-Exupery. He offers a broad overview of the various manifestations of the modernist preoccupation with physicality, including the disparagement of Christianity and Judaism for their focus on spiritual life. He clearly establishes the disturbing compatibility between the era's artistic and athletic celebration of body and the eventual rise of totalitarian nationalism and racism. The dark side of the Nazi emphasis on physical perfection as essential to ideal Germanness, Segel notes, was the consistent portrayal of the Jew as physically and racially inferior.

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Kathe Koja

Kathe Koja's shattering new novel, Strange Angels, is a dark, fascinating story of art, madness, and obsession. Grant is a freelance photographer who has come up against an artistic block. When he sees the crayon drawings done by a schizophrenic man named Robin, Grant is immediately fascinated by Robin's genius, hungry for the subtle truth that seems hidden in the arcing, crossing lines. Completely obsessed, Grant feels it's his mission to help Robin fully realize his artistic potential. He persuades Robin to check out of the hospital and move in with him. He encourages Robin to draw episodes from the most disturbed periods of his life. But Robin becomes more and more withdrawn until he doesn't want to draw anymore. Then Grant realizes the transcendent truth Robin holds is not to be found in his art, but in Robin himself. He must go deeper and deeper into Robin. Together they must explore altered states, must undergo sleep deprivation, sensory deprivation. Robin deteriorates further. Gradually Grant becomes convinced that Robin is transforming into something new, some kind of angel. On a par with Katherine Dunn or Donna Tartt, Kathe Koja is a powerful young writer whose distinctive voice will hold you spellbound as you take a journey into darkness unlike any you've been on before.