Stockhausen

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Demar Irvine

This is a meticulously researched and superbly detailed biography of composer Jules Massenet, a musical prodigy who entered the Paris Conservatory at the age of ten in 1853 and was at the heart of Parisian musical life until his death in 1912. During his lifetime Massenet was one of the best known and most highly regarded musicians in all Europe. Although his works fell out of vogue for several decades after his death, the 1970s and 80s brought a renewal of interest in his work and a welcome series of new performances. Relying on primary sources for firsthand information, Irvine profiles the composer and draws a rich portrait of the fascinating era in which Massenet lived. The narrative begins in 1748 with the birth of Massenet's grandfather, details the composer's early years and family life, traces his educational career, and highlights important events in his life. This carefully documented biography of Massenet and his milieu is lively and readable, conveying a vivid sense of the life of a successful musician in the late nineteenth century. Along the way one meets numerous composers, conductors, singers, publishers, artists, writers, and critics - everyone who contributed to the exciting cultural ferment of the time . Massenet's Paris was the city of expositions, a magnet for artistic talent and innovative ideas. As Massenet composed his first operas, Cezanne, Degas, Monet, Renoir, and their compatriots were unveiling the new Impressionism; Bizet, Faure, Wagner, Offenbach, Debussy, and Saint-Saens were his musical contemporaries. Great operatic performers such as Sibyl Sanderson, Emma Calve, Mary Garden, Geraldine Farrar, and Feodor Chaliapin were eager to star in the premier of any new work by Massenet. The composer had many eminent students, including Gustave Charpentier, Lucien Hillemacher, and Reynaldo Hahn. In this period of extraordinary artistic vitality, Massenet was applauded by his arch-rival Saint-Saens as a "sparkling diamond" of French music. Alfred Bruneau and Claude Debussy penned tributes upon his death, and Saint-Saens memorably commented, "Massenet has been much imitated; he imitated no one."

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Andrew Roberts

"It has become all too common for Napoleon Bonaparte's biographers to approach him as a figure to be reviled, bent on world domination, practically a proto-Hitler. Here, after years of study extending even to visits paid to St Helena and 53 of Napoleon's 56 battlefields, Andrew Roberts has created a true portrait of the mind, the life, and the military and above all political genius of a fundamentally constructive ruler. This is the Napoleon, Roberts reminds us, whose peacetime activity produced countless indispensable civic innovations - and whose Napoleonic Code provided the blueprint for civil law systems still in use around the world today. It is one of the greatest lives in world history, which here has found its ideal biographer. The sheer enjoyment which this book will give anyone who loves history is enormous."--Provided by publisher. From Andrew Roberts, author of the Sunday Times bestseller The Storm of War, this is the definitive modern biography of Napoleon. Napoleon Bonaparte lived one of the most extraordinary of all human lives. In the space of just twenty years, from October 1795 when as a young artillery captain he cleared the streets of Paris of insurrectionists, to his final defeat at the (horribly mismanaged) battle of Waterloo in June 1815, Napoleon transformed France and Europe. After seizing power in a coup d'etat he ended the corruption and incompetence into which the Revolution had descended. In a series of dazzling battles he reinvented the art of warfare; in peace, he completely remade the laws of France, modernised her systems of education and administration, and presided over a flourishing of the beautiful 'Empire style' in the arts.

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dargestellt von Jürgen Schebera

Kurt Weill--the famed composer of The Threepenny Opera, Rise and Fall of the City of Mahagonny, Knickerbocker Holiday, One Touch of Venus, Lost in the Stars, and many other musical works--led a life as rich and complex as the music for which he is so justly acclaimed. This engaging and lavishly illustrated book draws on a wealth of previously unexplored written and pictorial material to present a biography of Weill that is the most up to date and balanced ever written. Jurgen Schebera explores the many phases of Weill's life, from his childhood as the son of a cantor in the Jewish section of Dessau, Germany, to his renunciation of Germany in 1933, his emigration to America in 1935, and his premature death there in 1950. Schebera describes Weill's rise to prominence during the Weimar Republic, when he created brilliant orchestral and chamber music and became a leading operatic innovator; his marriage, divorce, and remarriage to the famed actress Lotte Lenya; his escape from Nazi Germany, exile in France, and move to America; his collaboration with such famed writers and lyricists as Georg Kaiser, Bertolt Brecht, Maxwell Anderson, Moss Hart, Ira Gershwin, S.J. Perelman, and Ogden Nash; and his efforts in the United States to aid the mobilization for war. He presents fascinating information about Weill's musical creations: an anti-war musical (Johnny Johnson); a biblical drama (The Eternal Road); his first American song "hit," "September Song"; a Kiddush for cantor, chorus, and organ; a new genre of Broadway opera (Street Scene); a musical tragedy (Lost in the Stars); and many other musical ventures in New York and Hollywood. Schebera contends that it is pointless to argue the relative merits of Weill's music from his European and American periods, as many critics have done. As Weill himself said, "I have never acknowledged the difference between 'serious' music and 'light' music. There is only good music and bad music." And, in fact, the current international renaissance of Kurt Weill's works attests to the beauty, originality, and variety of the music he composed throughout his career. First published in Germany to enthusiastic reviews, this English edition adds new information and illustrations to the earlier work.

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Hubert Nyssen

Anecdotes, réflexions sur la littérature, la critique, le milieu littéraire et journalistique et croquis d'auteurs (Nina Berberova, François Nourissier, Nicolâas Guillén, etc.). Le journal d'un éditeur de premier plan qui se demande qu'est-ce qui le fait courir de Paris à Tel Aviv, d'Arles à Amsterdam, de New York à Montréal, de La Havane à Princeton (c'est l'amour de la littérature universelle).