Presents the letters of the alphabet using alliterative rhymes, from "apples to share in the crisp autumn air" to "zithers and guitars beneath zillions of stars."
Setting / LocationCalifornia
Story EraModern Era
Protagonist / CoreTangerines and tea, my grandparents and me Lead Character
"Peter Alexander: In This Light is the first full-scale monograph on this artist, who for over three decades has been an active force in shaping the art and culture of California. The book includes work spanning Alexander's entire career to date, from the cast resin sculptures of the late 1960s to the recent Las Vegas paintings. Essays by art critic Dave Hickey and by Orange County Museum of Art Director Naomi Vine probe the central issues raised by Alexander in his work: the problems surrounding the concept of beauty in making art today. Vine examines the suspect nature of beauty in art in our time, while Hickey discusses the supreme challenge of attempting to create art in paradise.". "In addition to the critical essays, extensive documentation details the career of Peter Alexander, not only illuminating Alexander's life but shedding light on a time in California art when the Light and Space movement was emerging as an important, innovative, and distinctly West Coast approach to art-making."--BOOK JACKET.
In January 1987, archaeologist and museum curator Dr. Walter Alva was asked to examine a collection of strange artifacts found in the home of a poor grave robber on Peru's remote north coast. The subsequent police inquiry traced the cache to an ancient pyramid at Sipan, where looters had plundered a royal tomb of a little-known civilization called the Moche. This ransacking of the New World's richest archaeological discovery devastated Alva, who had been conducting a. Ten-year crusade to protect Peru's monuments of the past. What he did not know was that the looted artifacts had already been smuggled out of Peru and into England for re-transport to Los Angeles, where they would be sold to wealthy art collectors and dealers. At Sipan itself, the police, fearing for his safety, were demanding that Alva abandon his search for objects the looters might have missed. His own colleagues were also urging him to leave, believing he was wasting. Precious resources on an excavation doomed to failure. In the midst of this crisis, Christopher Donnan, the world's most respected Moche scholar, arrived with much-needed cash, supplies, and encouragement, along with the news that the precious artifacts were already in the hands of collectors and dealers. Donnan's information proved correct, for in the months to come, looted artifacts reached the hands of Los Angeles Museum of Art trustee Ben Johnson and Nobel. Prize-winning physicist Murray Gell-Man. In fact, many of the objects would soon go on display at the prestigious Santa Barbara Art Museum. Meanwhile, U.S. Customs agents had begun an investigation into the smuggling operation, and in March 1988, their unprecedented seizure of pre-Columbian antiquities sent shock waves through the art world. When reports of the raid reached Peru, Alva was having a celebration of his own. The pyramid at Sipan was not the burial place of a. Single Moche lord but was, like the Valley of Kings of ancient Egypt, a necropolis containing many lords. At least three tombs, richer in gold and silver than any other site excavated in the Americas, remained intact. To protect their discovery, Alva and his men put down their shovels and picked up guns, confronting the looters and winning their support. Police and Customs agents, however, were much less successful in their efforts to gain the return of the stolen. Artifacts. A controversial U.S. court decision resulted in the forfeiture to Peru of only 250 of the nearly 3,000 precious objects seized by the police. But an important precedent was set, serious questions were raised about private ownership of national treasures, and the first conviction in U.S. history for smuggling pre-Columbian art was obtained.
Silver and Gold includes works by Robert Vance, P. M. Batchelder, William Shew, Frederick Coombs, and W. H. Rulofson - images of native Californians and those who shared the land with them, memorable images of the men and women who sought their fortunes in the gold fields. Photographs from the mining communities reflect the miners' rough houses, sunburned faces, and makeshift clothes, capturing the isolation and determination of people working under difficult conditions far from home. Essays by John Wood, poet and founding president of the Daguerreian Society; Peter Palmquist, independent scholar and curator in the field of photography; and Drew Johnson and Marcia Eymann, co-curators of the Oakland Museum exhibition that complements this volume, enhance these striking early images. In addition, annotations on the back of the photographs and written accounts of the experiences they record provide glimpses into the intentions of the photographers.
Beginning in 1948 Cuba, a young piano player named Chico and a beautiful singer named Rita follow their dreams to New York, Paris, Hollywood, and Las Vegas.
Tangerines and tea, my grandparents and me by Ona Gritz | Literally Just Books
