The Annals of the Four Masters

Sample

Karen O'Brien

Is there a common European identity? If so, what kinds of history does it possess? Narratives of Enlightenment examines the literary and historical achievements of major figures such as Voltaire, David Hume, William Robertson, Edward Gibbon and the American historian David Ramsay in the light of eighteenth-century political and national debates in France, Scotland, England and America. Undertaking a comparative reappraisal of these writers, Karen O'Brien investigates the degree and nature of their intellectual investments in the idea of a common European civilisation. This original and incisive study intervenes from the perspective of literary criticism in contemporary debates about Enlightenments past and present, the political uses for narrative, and the European contexts of national awareness.

Sample

Christopher M. Jones

This study concentrates on the importance of American influences on Vian's extensive jazz activities and his mock translations of American noir novels under the name Vernon Sullivan. Vian personally embodied the increasingly transatlantic nature of Western culture and the melding of elite and popular forms of expression. The diverse components of this synthesis shed light on the construction of both individual and national identity in postwar France.

Sample

David Collings

According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster.

Sample

Alan Gordon

"Historians have long engaged in passionate debate about collective memory and the building of national identities. Alan Gordon focuses on one national hero - Jacques Cartier - to explore how notions about the past have been created, passed on through the generations, and used to present particular ideas about the world in English- and French-speaking Canada. He reveals that the cult of celebrity surrounding Cartier by the mid-nineteenth century reflected a particular understanding of history, one which accompanied the arrival of modernity in North America. This new sensibility shaped the political and cultural currents of nation building in Canada. Cartier was a point of contact between English and French Canadian nationalism, but the nature of that contact had profound limitations."--BOOK JACKET.