The Association of Small Bombs

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Chris Bachelder

The Throwback Special is the story of twenty-two ordinary guys who gather each fall to reenact what ESPN has called the most shocking play in NFL history: the November 1985 play in which Joe Theismann of the Washington Redskins had his leg horribly broken by Lawrence Taylor of the New York Giants on Monday Night Football. (The play was known by the Redskins as the Throwback Special.) Over the course of a weekend we follow the men as they choose roles; spend a long night of the soul revealing their secret hopes, fears, and passions as they prepare for the game; and finally enact their strange and yet oh-so-American ritual for what may be the last time. With his trademark microfine sense of humor and tragic sense of history (Michael Chabon), Chris Bachelder s moving and very funny tale is filled with pitch-perfect observations about manhood, marriage, and middle age.

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Katherine Dunn

Here is the unforgettable story of the Binewskis, a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities (with the help of amphetamine, arsenic, and radioisotopes). Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset. As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.

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Joseph Heller

Catch as Catch Can is a celebrated work by Joseph Heller (American Master), recognized for masterclass storytelling and lasting literary resonance.

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Daisy Johnson

Words are important to Gretel, always have been. As a child, she lived on a canal boat with her mother, and together they invented a language that was just their own. She hasn’t seen her mother since the age of sixteen, though – almost a lifetime ago – and those memories have faded. Now Gretel works as a lexicographer, updating dictionary entries, which suits her solitary nature. A phone call from the hospital interrupts Gretel’s isolation and throws up questions from long ago. She begins to remember the private vocabulary of her childhood. She remembers other things, too: the wild years spent on the river; the strange, lonely boy who came to stay on the boat one winter; and the creature in the water – a canal thief? – swimming upstream, getting ever closer. In the end there will be nothing for Gretel to do but go back. Daisy Johnson’s debut novel turns classical myth on its head and takes readers to a modern-day England unfamiliar to most. As daring as it is moving, *Everything Under* is a story of family and identity, of fate, language, love and belonging that leaves you unsettled and unstrung.