The Complete Stories

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Henryk Sienkiewicz

In a new translation by Miroslaw Lipinski, The Little Trilogy contains everything readers have come to expect of the celebrated Sienkiewicz - charming and alluring characters, romance, heartbreak, action and adventure, humor and bravery. Set against the breathtaking panorama of the Polish countryside and the French wilderness, The Little Trilogy follows the volatile friendship between Selim Mirza, a Polonized Tartar, and Henryk, a character based on Sienkiewicz himself. These close friends share confidences and dreams, court the same beautiful girl, and ultimately fight side by side in the Franco-Prussian War in an army unit full of dangerous ruffians and bandits. At each turn there are the possibilities of glorious death or victorious life, eternal love or melancholic despair. On each page there is full evidence of Sienkiewicz's mastery at character delineation and exciting narrative. And behind it all is the perceptiveness of an author who was able to reveal, with both insight and compassion, the timeless truths that inform the human soul.

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Ralph Waldo Emerson

An anthology of nineteenth-century American writer and philosopher Ralph Waldo Emerson's essays and poems, including in their entirety his books "Nature: Addresses, and Lectures," "Essays: First and Second Series," "Representative Men," and "The Conduct of Life," as well as his volumes of poetry and other essays, addresses, and poems from his manuscripts.

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Rafik Schami

Geschichten aus dem Damaskus der fünfziger Jahre. Rafik Schami erzählt vom Leben der Menschen dort, von Liebe und List, von Arbeit und Vergnügen in dieser unsicheren Zeit. Ein alter Orangenbaum wuchs bis zum Dach des ersten Stocks hoch. Dort wohnten Salma und ihr Mann. Sie war die schönste Frau der Straße... Es war eine arme Gegend, in der es kein Kino und natürlich noch kein Fernsehen, sondern allenfalls Radio gab. Man lebte von der Hand in den Mund und amüsierte sich, so gut es ging.

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Barbara Hamby

In this book of poetry, Barbara Hamby races through the circuitous regions of heaven and hell, desire and love, trailing words ahead of and behind her, giving shape and significance to the strange and the familiar. Not limited to the self-referential, Hamby playfully references historic and literary personae, taking stabs at Shakespeare, Jane Austen, the Bible, and Casanova.