by Edith Wharton (2001)
Edith Wharton's satiric anatomy of American society in the first decade of the twentieth century appeared in 1913; it both appalled and fascinated its first reviewers, and established her as a major novelist. It follows the career of Undine Spragg, recently arrived in New York from the Midwest and determined to conquer high society. Glamorous, selfish, mercenary, and manipulative, her principal assets are her striking beauty, her tenacity, and her father's money. With her sights set on an advantageous marriage, Undine pursues her schemes in a world of shifting values, where triumph is swiftly followed by disillusion. Wharton was re-creating an environment she knew intimately, and Undine's education for social success is chronicled in meticulous detail. The novel superbly captures the world of post-Civil War Ameria, as ruthless in its social ambitions as in its business and politics. - Back cover.
Kevin Kwan
"[A] novel of a family riven by fortune, an ex-wife driven psychotic with jealousy, a battle royal fought through couture gown sabotage, and the heir to one of Asia's greatest fortunes locked out of his inheritance" -- provided by publisher.
Steven D. Levitt and Stephen J. Dubner
*A Rogue Economist Explores the Hidden Side of Everything* Which is more dangerous, a gun or a swimming pool? What do schoolteachers and sumo wrestlers have in common? Why do drug dealers still live with their moms? How much do parents really matter? How did the legalization of abortion affect the rate of violent crime? These may not sound like typical questions for an economist to ask. But Steven D. Levitt is not a typical economist. He is a much-heralded scholar who studies the riddles of everyday life—from cheating and crime to sports and child-rearing—and whose conclusions turn the conventional wisdom on its head. Freakonomics is a ground-breaking collaboration between Levitt and Stephen J. Dubner, an award-winning author and journalist. They usually begin with a mountain of data and a simple, unasked question. Some of these questions concern life-and-death issues; others have an admittedly freakish quality. Thus the new field of study contained in this book: Freakonomics. Through forceful storytelling and wry insight, Levitt and Dubner show that economics is, at root, the study of incentives—how people get what they want, or need, especially when other people want or need the same thing. In Freakonomics, they explore the hidden side of … well, everything. The inner workings of a crack gang. The truth about real-estate agents. The myths of campaign finance. The telltale marks of a cheating schoolteacher. The secrets of the Ku Klux Klan. What unites all these stories is a belief that the modern world, despite a great deal of complexity and downright deceit, is not impenetrable, is not unknowable, and—if the right questions are asked—is even more intriguing than we think. All it takes is a new way of looking at things. Freakonomics establishes this unconventional premise: If morality represents how we would like the world to work, then economics represents how it actually does work. It is true that readers of this book will be armed with enough riddles and stories to last a thousand cocktail parties. ButFreakonomics can provide more than that. It will literally redefine the way we view the modern world. First published in the U.S. in 2005, Freakonomics went on to sell more than 4 million copies around the world, in 35 languages. It also inspired a follow-up book, SuperFreakonomics; a high-profile documentary film; a radio program, and an award-winning blog, which has been called “the most readable economics blog in the universe.” ([source][1]) [1]:
Mildred D. Taylor
Set in Mississippi at the height of the Depression, it is the story of one family's struggle to maintain their integrity, pride, and independence. It is a story of physical survival, but more important, it is a story of the survival of the human spirit. And, too, it is Cassie's story -- Cassie Logan, an independent girl raised by a family for whom independence is primary, a family determined not to relinquish their humanity simply because they are Black. Cassie has grown up protected, grown up strong, and so far grown up unaware that any white person could force her to be untrue to herself, could consider her inferior and treat her accordingly. It took the events of one turbulent year -- the year of the night riders and the burnings, the year a white girl humiliated Cassie in public simply because she was Black -- to show Cassie why the land meant so much, why having a place of their own where they answered to no one permitted the Logans the luxuries of pride and courage their sharecropper neighbors couldn't afford and their white neighbors couldn't allow. Richly characterized, powerfully told, Mildred Taylor's novel is unforgettable. The Logans' story is at times warm and humorous, at times terrifying. It is a story of courage and love and pride, the story of one family's passionate determination not to be beaten down. -- Back cover. This is a moving story -- one you will not easily forget -- about growing up in the deep south.
Henry James
In the aftermath of an acrimonious divorce, young Maisie Farange finds herself shuttled back and forth between her father and mother, both of them amoral and monstrously self-involved. After her parents find new spouses -- and after the new spouses find themselves drawn to each other, as much for Maisie's sake as their own -- Maisie feels even more misplaced. As she observes the world of adults and their adulteries, and finds herself in the position to decide her own fate, Henry James's rendering of her child's-eye view -- his depiction of what precisely Maisie knows -- draws the reader into this scathing satire of social mores and insightful meditation on familial dependence.