The Eagle has Landed

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Karen Zeinert

Relates the causes, events, and aftermath of the witchcraft trials which took place in Salem, Massachusetts, in the early 1690's and resulted in the deaths of more than nineteen people.

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Susan Bachner

Examines the life of Powhatan, a Native American leader who lived in present-day Virginia when English ships arrived in 1607.

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John G. Demaray

The design, staging allusions and symbolism of The Tempest are here freshly reconsidered in light of the drama's historical and theatrical milieu. Demaray maintains that Shakespeare, in composing this play, was not reverting to the "academic" dramatic structures, themes and character types of his early career, but was instead forging from different theatrical traditions a new kind of experimental drama. The Tempest, then, draws upon the European and English spectacle, pastoral, "romance" and dramatic traditions; it emphasizes reformist open symbolism rather than the classical iconography of Ben Jonson; and it points the way to the stylized "heroic" dramas of the Restoration with their exotic themes and staged scenic illusions. Shakespeare and the Spectacles of Strangeness pays close attention to genre, structure and issues of printing and textual scholarship. Demaray examines the First Folio printings of The Tempest and of printings of drama, masques, balets de cour, spectacle productions and stage documents. On the basis of these primary documents, Demaray is able to show the influence of the conventions of court presentations on Shakespeare's theatrical references, and to reveal new accounts of the imaginative significance of stage illusions designed by Inigo Jones in the early 1600s.

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John Peffer-Engels

Describes the history and customs of the Edo of Benin who live in the rain forest of Nigeria and are known for their ivory and brass art.