The form of practical knowledge

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Rebecca Smith

In this important study, Rebecca Smith (no relation to the author of this study) uses language theory and feminist critical theory to examine Lee Smith's "critique" of gender ideology in her fiction. This book charts Lee Smith's fictional exploration of the cultural devaluation of women and of the traditional romance plot. An in-depth look at Smith's appropriation of male myth, images and language, all of which she uses to deconstruct traditional gender arrangements, the work chronologically covers Lee Smith's first nine novels and her two short story collections.

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Iain P.D. Morrisson

"Kant and the Role of Pleasure in Moral Action is part of a new wave of interest in Kant's anthropological (that is, psychological) works. Whereas previous commentators have attempted to understand Kant's feeling of respect by studying the relevant textual evidence in isolation, Morrisson illuminates this evidence by determining what Kant's more general theory of action commits him to regarding moral action. After looking at how Kant's treatment of desire and feeling can be reconciled with his famous account of free maxim-based action, Morrisson argues that respect moves us to moral action in a way that is structurally parallel to the way in which nonmoral pleasure motivates nonmoral action."--Jacket.

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Giorgio Manfré

Le idee raccolta in questo saggio si muovono nell'ambito di un'area interdisciplinare di indagine, verso cui vengono fatti convergere orientamenti conoscitivi e di ricerca fra loro alquanto eterogenei: costruttivismo e teoria della società, storia sociale, antropologia, psicoanalisi. E la sfida consiste in questo: tornare, attraverso una ricognizione su alcune opere di tre protagonisti della cultura moderna - Niklas Luhmann, Karl Marx e Sigmund Freud - a interrogare le radici stesse della modernità, e ciò chiedendosi, andando in controtendenza, se la crisi della modernità (qui intesa come crisi del rapporto individuo-società) è un fatto irreversibile oppure, al contrario, superabile.

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Marilyn French

William Shakespeare regarded men and women quite differently. In his early plays, the so-called masculine qualities of prowess, bravery, and individualism were accorded more respect than "feminine" attributes of mercy, compassion, and intuitiveness. Yet, in his later plays, there is evidence of a reversal in Shakespeare's attitudes, a new fear of the power of the masculine principle and new admiration for the feminine. Marilyn French offers a feminist perspective on each of Shakespeare's plays. More than a brilliantly original literary interpretation, this fascinating volume provides penetrating insight into attitudes toward men, women, love, and power in Western culture. - Publisher.