by Jeanette Winterson (2015)
A modern retelling of Shakespeare's "The Winter's Tale" moves from London after the 2008 financial crisis to the storm-ravaged American city of New Bohemia, in a story of the destructive effect of jealousy and the redemptive power of love.
Ruth M. Goldsmith
Leaving his older daughter in charge at the start of a business trip in 1926, Judge Mayhew cannot forsee what's in store for his younger daughter or their house in their small, old-fashioned, New England village.
Kate Pullinger
"From the award-winning author of The Mistress of Nothing comes a compelling novel that explores the complexity of modern life and the tenuous, often unexpected ties that bind us together. Spring 2010. Harriet works in local radio in London, England. When a volcano erupts in Iceland and airspace shuts down over Europe, stranding most of her colleagues abroad, she seizes the opportunity to take on a larger role at the station. Her husband, Michael, stuck in New York, travels to Toronto to stay with an old flame. Their teenage son Jack, liberated from normal life by the absence of airplanes, takes an unexpected risk and finds himself in trouble. Meanwhile, a Pakistani migrant worker named Yacub is stranded in a labor camp in Dubai, and Emily, a young TV researcher, loses her father to a sudden heart attack. Two years later, their lives intersect dramatically when Yacub, a stowaway, falls out of the landing gear of an airplane and onto Harriet's car in a supermarket parking lot. Yacub's sudden arrival in the lives of Harriet, Jack, Michael, and Emily catapults these characters into a series of life-changing events, ultimately drawing them closer to one another. Winner of Canada's Governor General's Literary Award for her debut American novel, The Mistress of Nothing, which Good Housekeeping called "scorchingly powerful," Kate Pullinger draws on real-life accounts of airplane stowaways as the basis for a highly imaginative story of colliding worlds and extraordinary connections"--
Mary Lawson
"From "a talented writer whose lyrical, evocative writing invites comparisons to Rick Bass and Richard Ford" (Publishers Weekly, starred review) comes a deftly woven novel that examines the layered makeup of a family: the affections and resentments, obligations and sacrifices"-- "Set in a backwoods village in northern Canada, this is the story of a young woman who leaves her dysfunctional, male-dominated family to make a new life in London. With her dreamy mother abed upstairs, and her father passive in a house full of rambunctious, out of control male children from the age of 4-14, Megan has become the defacto mother, housekeeper, nurse, and lynchpin of her household. Wholly dependable, intelligent, lovely, they depend on her completely-- until one day she has had enough. She packs her bags and leaves for London knowing virtually no one. As she did in her previous two books, Mary Lawson flawlessly weaves the narration of Megan's life and love with the consequences of her departure at home, particularly for her youngest brother Adam, age 4, who has retreated into himself out of insecurity and neglect. Lawson is particularly fine in calibrating the emotional core of her characters, and the choice Megan must make, which, while poignant, in Lawson's hands is also an affirmation of what is, finally, universally important"--
Mary-Beth Hughes
From the outside in, the Devlin family lead almost perfect lives. Dashing father Nick is a successful businessman long married to sweetheart Jean, who upholds the family home and entertains, while daughter Lily attends Catholic school and is disciplined into modesty by the nuns. Under the surface, however, the Devlins are broken by the death of their little boy, Cubbie. When Nick's older brother, Lionel, a man driven by callous and rapacious urges, inducts Nick into the cutthroat world of cosmetics, Nick's sudden rise to the top brings the Devlin family to a fresh start in London, where they join the ranks of the city's social elite. But as the veneer of their glamorous new life abroad starts to wear thin, the Devlin family are further fragmented by betrayals and become victims of the cruelest kind of hurt.