by Xaviera Hollander (1978)
How did you first learn about sex? If you grew up in the 1970s, it may have been from a gleefully lusty tour guide named Xaviera Hollander In the late 1960s -- that era of sexual chaos, when Playboy Clubs and love-ins were competing for national attention -- a beautiful, intelligent young Dutch secretary named Xaviera de Vries moved to New York, grew swiftly tired of her desk job . . . and soon became the most visible and glamorous madam the city had ever seen. As Xaviera Hollander, she published a shockingly candid account of her life behind the brothel door. The Happy Hooker shot straight to the top of the bestseller lists, sold more than fifteen million copies, and made this enterprising young woman an international phenomenon. Thirty years later, these delightfully explicit tales of the '60s and '70s swingers' scene -- including countless jaw-dropping stories of lesbianism, bondage, fetishism, and more -- remain as titillating as ever, charged with the mix of shrewd observation and uninhibited appetite that made Hollander an irresistible storyteller. The Happy Hooker is a classic: the world's greatest book on the world's oldest profession.
Frances Osborne
Using letters, diaries, and family legend, Frances Osborne explores the life of Idina, her enigmatic great-grandmother, following her from Edwardian London to the hills of Kenya, where she reigned over the scandalous antics of the 'Happy Valley set'" - Back cover.
Scotty Bowers with Lionel Friedberg
The wholesome image of America propagated by Hollywood in the 1940s, '50s and '60s is one of the most persistent in popular culture: loving wives, smiling children. But off the set, many of the actors who helped create this image were secretly leading very wild lives, and one man in particular was helping them: Scotty Bowers. At a time when sex outside of marriage was taboo, Scotty built up a reputation as the guy who could discreetly fix you up. Scotty slept with many stars himself, and connected others with his friends. Here, he tells his story for the first time. Scotty came to Hollywood after serving in the Marines in World War II, and began working at a gas station on Hollywood Boulevard. One day, he was approached and picked up by actor Walter Pidgeon, who whisked him off to a friend's villa for the first of many encounters with Hollywood's rich and famous. He developed long-term friendships with stars like Katharine Hepburn and Noel Coward, but he always kept it quiet--until he now provides a lost chapter in the history of the sexual revolution.--From publisher description.
Joel Rose
"When Uncle John DeVoe and a man only known as Lozier sit down in the old Centre Market to discuss the impending doom threatening New York City, those around can't help but eavesdrop. Overdevelopment of its southern tip has put the island in jeopardy and unless something can be done to stop it, the city will sink into the harbor. DeVoe and Lozier claim to have been sent to avert disaster and tell the eager listeners of their plan to save their great city. Who were Uncle John DeVoe and the mysterious Lozier? What may have instigated their grand deception and why was it blindly embraced?". "Trailing historical documents that lead him in a direction he never could have anticipated, novelist Rose weaves together a tale of skullduggery against an atmospheric recreation of urban street life in the early nineteenth century. With an eye toward the political and cultural climate of the period, New York Sawed in Half is a playful meditation on the nature of the hoax."--BOOK JACKET.
Michael Hicks and Christian Asplund
In this first interpretive narrative of the life and work of Christian Wolff, Michael Hicks and Christian Asplund trace the influences and sensibilities of a contemporary composer's atypical career path and restless imagination. Written in full cooperation with Wolff, including access to his papers, this volume is a much-needed introduction to a leading avant-garde composer still living, writing music, and speaking about his own work. Wolff has pioneered various compositional and notational idioms, including overtly political music, indeterminacy, graphic scores, and extreme virtuosity. Trained as a classicist rather than a musician, Wolff has never quite had both feet in the rarefied world of contemporary composition. Yet he's considered a "composer's composer," with a mind ensconced equally in ancient Greek tragedy and experimental music and an eccentric and impulsive compositional approach that eludes a fixed stylistic fingerprint. Hicks and Asplund cover Wolff's family life and formative years, his role as a founder of the New York School of composers, and the context of his life and work as part of the John Cage circle, as well as his departures from it. Critically assessing Wolff's place within the experimental musical field, this volume captures both his eloquence and reticence and provides insights into his broad interests and activities within music and beyond [Publisher description].