by Roberta Rich (2014)
"Hannah and Isaac return in this opulent, riveting, and suspenseful tale--a continuation of Roberta Rich's thrilling debut The Midwife of Venice. The Imperial Harem, Constantinople, 1579: Hannah and Isaac Levi, Venetians in exile, have set up a new life for themselves in Constantinople. Isaac runs a newly established business in the growing silk trade, while Hannah, the best midwife in all of Constantinople, plies her trade within the opulent palace of Sultan Murat III, tending to the thousand women of his lively and infamous harem. But one night, when Hannah is unexpectedly summoned to the palace, she's confronted with Zofia, a poor Jewish peasant girl who has been abducted and sold into the sultan's harem. The sultan favors her as his next conquest and wants her to produce his heir, but the girl just wants to return to her home and the only life she has ever known. Will Hannah risk her life and livelihood to protect this young girl, or will she prioritize her high esteem in the eye of the sultan? An adventurous, opulent and deliciously exciting read, peopled with fascinating, unforgettable characters (a court eunuch; the calculating sultan's mother-in-law; the beguiling harem ladies; and a very mysterious young beauty from Venice who shows up on Hannah's doorstep, causing much havoc), this novel is sure to please fans of The Midwife of Venice and extend Roberta's reputation as a beloved historical fiction author"--
Gryllus the Pig
Continues the epic tale of Gyllus, a talking pig, as he and his friends, ex-priestess Sibyl and poet Homer, set off on the high seas in search of Circe, who can return Gryllus to his human state, but first they must free some captive gods and, perhaps, save the world again.
Laura Lebow
"In 1786 Vienna, Lorenzo Da Ponte is the court librettist for the Italian Theatre during the height of the enlightened reign of Emperor Joseph II. This exalted position doesn't mean he's particularly well paid, or even out of reach of the endless intrigues of the opera world. In fact, far from it. One morning, Da Ponte stops off at his barber, only to find the man being taken away to debtor's prison. Da Ponte impetuously agrees to carry a message to his barber's fiance;e and try to help her set him free, even though he's facing pressures of his own. He's got one week to finish the libretto for The Marriage of Figaro for Mozart before the opera is premiered for the Emperor himself. Da Ponte visits the house where the barber's fiancee works--the home of a nobleman, high in the Vienna's diplomatic circles--and then returns to his own apartments, only to be dragged from his rooms in the middle of the night. It seems the young prote;ge; of the diplomat was killed right about the time Da Ponte was visiting, and he happens to be their main suspect. Now he's given a choice--go undercover into the household and uncover the murderer, or be hanged for the crime himself. Brilliantly recreating the cultural world of late 18th century Vienna, the epicenter of the Enlightenment, Lebow brings to life some of the most famous figures of music, theatre, and politics"--
David Prior
"Living like a Corinthian." In ancient Greece this phrase was an insult cast at vagrants, drunkards and sexual deviates. The city of Corinth was infamous as a center for intellectual pride and moral laxity. Any church planted there was bound to have problems. The Corinthian church was no exception. Snobbishness, factionalism, insensitivity to other believers, doctrinal looseness and overexuberance all flourished in the Corinthian church. When the apostle Paul heard about the difficulties, he was grieved because he had founded the church and felt closely tied to it. He therefore wrote an intense and pointed letter. In this fresh and gripping exposition of 1 Corinthians, David Prior plainly shows the relevance of Paul's letter for our times. His hope is that all churches may better live out the lordship of Christ in today's cosmopolitan world. - Back cover.
Iaacov Rubel
El autor presenta un panorama detallado de las variaciones estructurales y cuantitativas que se dieron en el seno de las escuelas judias argentinas en el periodo 1985-1995.