by Paul Crilley (2012)
In an alternate 1899 London, seventeen-year-old Sebastian Tweed searches for his kidnapped father, uncovering both a horrific technological secret and a political conspiracy that could destroy the British Empire.
Kate Ellis
When archaeologist Neil Watson discovers the recently deceased body of an American veteran of the D Day landings, he calls on help from his old friend DS Wesley Peterson. As the two men set out to solve the mystery, they come across various characters who might have motives for murder.
William Twining
The Law of Evidence has traditionally been perceived as a dry, highly technical, and mysterious subject. This book argues that problems of evidence in law are closely related to the handling of evidence in other kinds of practical decision-making and other academic disciplines, that it is closely related to common sense and that it is an interesting, lively and accessible subject. These essays develop a readable, coherent historical and theoretical perspective about problems of proof, evidence, and inferential reasoning in law. Although each essay is self-standing, they are woven together to present a sustained argument for a broad inter-disciplinary approach to evidence in litigation, in which the rules of evidence play a subordinate, though significant, role. This revised and enlarged edition includes a revised introduction, the best-known essays in the first edition, and new chapters on narrative and argumentation, teaching evidence, and evidence as a multi-disciplinary subject.
Lyn Andrews
Born at the turn of the 20th century, Mae Strickland is only a few days old when her mother suddenly dies. Her aunt Maggie brings Mae up together with her own children, Eddie and Alice, and the girls become like sisters. In spite of Mae's unhappy start, life feels full of promise. Then, as the First World War looms, everything changes. While the local men - including young Eddie - leave to fight, Mae and Alice train as field nurses. As they travel to the front line in the wake of family tragedy, nothing can prepare them for the hardship that lies ahead.
Suzanne Keen
"Romances of the Archive in Contemporary British Fiction is a discussion of the debates about the uses of the past contained in British fiction since the Falklands crisis. Suzanne Keen provides a detailed examination of the range of contemporary 'romances of the archive,' a genre in which British novelists both deal with the loss of Empire and a nostalgia for the past, and react to the postimperial condition of Great Britain. Keen identifies the genre and explains its literary sources from Edmund Spenser to H. P. Lovecraft and John LeCarre. She also accounts for the rise in popularity of the archival romance and provides a context for understanding the British postimperial preoccupation with history and heritage."--BOOK JACKET.