The Lindian chronicle and the Greek creation of their past

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Dylan Sailor

"Writing and Empire in Tacitus examines how Tacitus' historiographical career serves as an argument about his personal autonomy and social value under the peculiar political conditions of the early Roman empire. Following the arc of his career from Agricola through Histories to Annals, this book focuses on ways in which Tacitus' writing makes implicit claims about his relationship to Roman society and about the political consequentiality of historical writing. In a sense, this book suggests, his literary career and the sense of alienation his works project form the ideal complement to his very successful political career, which, while desirable, might nonetheless give the impression of degrading submission to emperors. The discussion combines careful attention to the historian's explicit programmatic discussion of his work with larger-scale analysis of stretches of narrative that have unspoken but significant implications for how we view the function and importance of Tacitus' work."--BOOK JACKET.

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Jefferson Reid and Stephanie Whittlesey

Carved from cliffs and canyons, buried in desert rock and sand are pieces of the ancient past that beckon thousands of visitors every year to the American Southwest. Whether Montezuma Castle or a chunk of pottery, these traces of prehistory also bring archaeologists from all over the world, and their work gives us fresh insight and information on an almost day-to-day basis. Descriptions of long-ago people are balanced with tales about the archaeologists who have devoted their lives to learning more about "those who came before." Trekking through the desert with the famed Emil Haury, readers will stumble upon Ventana Cave, his, "answer to a prayer." With amateur archaeologist Richard Wetherill, they will sense the peril of crossing the flooded San Juan River on the way to Chaco Canyon. Others profiled in the book are A. V. Kidder, Andrew Ellicott Douglass, Julian Hayden, Harold S. Gladwin, and many more names synonymous with the continuing saga of southwestern archaeology. This book is an open invitation to general readers to join in solving the great archaeological puzzles of this part of the world. Moreover, it is the only up-to-date summary of a field advancing so rapidly that much of the material is new even to professional archaeologists.

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William R. Biers

William R. Biers wrote The Archaeology of Greece to introduce students, teachers, and lay readers to the delights of exploring the world of ancient Greece. The great popularity of the first edition testifies to his success. In his preface to the second edition, Biers points out that, while the field of Greek archaeology may seem conservative and slow-moving, it has undergone major changes, especially in regard to work on the Bronze Age. The revised edition brings information on all areas up to date, reflecting the most recent research, and it includes cross references to Perseus II, the interactive electronic data base on Archaic and Classical Greece. This edition includes new illustrations, some of recent finds, some of improved plans, and others added to enhance an explanation or to illustrate a point.

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Emily D. Johnson

"In the bookshops of present-day St. Petersburg, guidebooks abound. Both modern descriptions of Russia's old imperial capital and lavish new editions of pre-Revolutionary texts sell well, primarily attracting an audience of local residents. Why do Russians read one- and two-hundred-year-old guidebooks to a city they already know well? In How St. Petersburg Learned to Study Itself, Emily Johnson traces the Russian fascination with local guides to the idea of kraevedenie." "Johnson traces the history of kraevedenie, showing how St. Petersburg-based scholars and institutions have played a central role in the evolution of the discipline. Distinguished from obvious Western equivalents such as cultural geography and the German Heimatkunde by both its dramatic history and unique social significance, kraevedenie has, for close to a hundred years, served as a key forum for expressing concepts of regional and national identity within Russian culture."--Jacket.