by Dan Hofstadter (1996)
Hofstadter "shows how these rediscovered documents [forgotten personal writing which has resurfaced in France] bear on the erotic lives of their writers, and how the fine French tradition of conducting love affairs developed as an art form....The romantic trajectory runs from Benjamin Constant and Mme. de Staël to the beautiful Mme. Récamier and her lover Chateaubriand; from George Sand and Alfred de Musset to Mme. de Caillavet and Anatole France; and it concludes with a touching portrait, based partly on still-unpublished sources, of the girl who became the model for Proust's Gilberte."--Jacket.
Hubert Nyssen
Anecdotes, réflexions sur la littérature, la critique, le milieu littéraire et journalistique et croquis d'auteurs (Nina Berberova, François Nourissier, Nicolâas Guillén, etc.). Le journal d'un éditeur de premier plan qui se demande qu'est-ce qui le fait courir de Paris à Tel Aviv, d'Arles à Amsterdam, de New York à Montréal, de La Havane à Princeton (c'est l'amour de la littérature universelle).
Paul Hoffman
Biography of the young Brazilian who moved to Paris where he experimented with flight until Europeans came to call him the man who conquered air.
dargestellt von Jürgen Schebera
Kurt Weill--the famed composer of The Threepenny Opera, Rise and Fall of the City of Mahagonny, Knickerbocker Holiday, One Touch of Venus, Lost in the Stars, and many other musical works--led a life as rich and complex as the music for which he is so justly acclaimed. This engaging and lavishly illustrated book draws on a wealth of previously unexplored written and pictorial material to present a biography of Weill that is the most up to date and balanced ever written. Jurgen Schebera explores the many phases of Weill's life, from his childhood as the son of a cantor in the Jewish section of Dessau, Germany, to his renunciation of Germany in 1933, his emigration to America in 1935, and his premature death there in 1950. Schebera describes Weill's rise to prominence during the Weimar Republic, when he created brilliant orchestral and chamber music and became a leading operatic innovator; his marriage, divorce, and remarriage to the famed actress Lotte Lenya; his escape from Nazi Germany, exile in France, and move to America; his collaboration with such famed writers and lyricists as Georg Kaiser, Bertolt Brecht, Maxwell Anderson, Moss Hart, Ira Gershwin, S.J. Perelman, and Ogden Nash; and his efforts in the United States to aid the mobilization for war. He presents fascinating information about Weill's musical creations: an anti-war musical (Johnny Johnson); a biblical drama (The Eternal Road); his first American song "hit," "September Song"; a Kiddush for cantor, chorus, and organ; a new genre of Broadway opera (Street Scene); a musical tragedy (Lost in the Stars); and many other musical ventures in New York and Hollywood. Schebera contends that it is pointless to argue the relative merits of Weill's music from his European and American periods, as many critics have done. As Weill himself said, "I have never acknowledged the difference between 'serious' music and 'light' music. There is only good music and bad music." And, in fact, the current international renaissance of Kurt Weill's works attests to the beauty, originality, and variety of the music he composed throughout his career. First published in Germany to enthusiastic reviews, this English edition adds new information and illustrations to the earlier work.
Frank McLynn
Napoleon Bonaparte's character and achievements have always divided critics and historians. In this compelling biography, Frank McLynn draws on the most recent scholarship and throws a brilliant light on this most paradoxical of men -- as military leader, emperor, and lover. Tracing Napoleon's extraordinary career, the author examines the Promethean legend from his Corsican roots, through the years of the French Revolution and his military triumphs, to his coronation in 1804 and ultimate defeat and imprisonment. McLynn brilliantly reveals the extent to which Napoleon was both existential hero and plaything of Fate; mathematician and mystic; intellectual giant and moral pygmy; great man and deeply flawed human being. In this work McLynn offers a vivid and valuable canvas of, and new dimension to, eighteenth-century European history. He also brings the reader, as never before, closer to understanding the much mythologized Napoleon. - Back cover.