The Marshall Makes His Report

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Nick Quantrill

Joe Geraghty, Private Investigator, is used to struggling from one case to the next, barely making the rent on his small office in the Old Town of Hull. Invited by a local businessman to investigate a member of his staff's absenteeism, it's the kind of surveillance work that Geraghty and his small team have performed countless times. When Jennifer Murdoch is found bleeding to death in her bed, Geraghty quickly finds himself trapped in the middle of a police investigation which stretches back to the days when the city had a thriving fishing industry. As the woman's tangled private life begins to unravel, the trail leads Geraghty to local gangster-turned-respectable businessman, Frank Salford, a man with a significant stake in the city's regeneration plans. Still haunted by the death of his wife in a house fire, it seems the people with the answers Geraghty wants are the police and Salford, both of whom want his cooperation for their own ends. With everything at stake, some would go to any length to get what they wantGeraghty included.

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Martin Cruz Smith

The Communist party is dead; the ruble is worthless. As Moscow collapses around Arkady Renko, he escapes to Germany only to find the Russian mafia already on hand, enjoying the country's good beer, driving BMWs through the Brandenburg Gate, and searching murderously for Investigator Renko.

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Ridley Pearson

Filled with the fast-aced, spiraling action that makes Pearson's novels "irrestistible" (LA Times Book Review) works of suspense that "grip the imagination" (People)

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Christopher Fowler

It's a crime tailor-made for the Peculiar Crimes Unit: a controversial artist is murdered and displayed as part of her own outrageous installation. No suspects, no motive, no evidence--it's business as usual for the Unit's cantankerous founding partners, Arthur Bryant and John May. But this time they have an eyewitness. According to twelve-year-old Luke Tripp, the killer was a cape-clad highwayman atop a black stallion. As implausible as the boy's story sounds, Bryant and May take it seriously when "The Highwayman" is spotted again, striking a dramatic pose at the scene of his next outlandish murder. Whatever the killer's real identity, he seems intent on killing off a string of minor celebrities while becoming one himself. As the tabloids look to make a quick bundle on "Highwayman Fever," Bryant and May, along with the newest member of the Unit, May's agoraphobic granddaughter, April, find themselves sorting out a case involving an unlikely combination of artistic rivalries, sleazy sex affairs, the Knights Templars, and street gang feuds. To do it, they're going to have to use every orthodox--and unorthodox--means at their disposal, including myth, witchcraft, and the psychogeographic history of the city's "monsters," past and present.And if one unsolvable crime weren't enough, this case has disturbing links to a decades-old killing spree that nearly destroyed the partnership of Bryant and May once before...and may again. The Peculiar Crimes Unit is one murder away from being closed down for good--and that murder could be their own.From the Hardcover edition.