by Shai Joshua Lavi (2005)
How we die reveals much about how we live. In this provocative book, Shai Lavi traces the history of euthanasia in the United States to show how changing attitudes toward death reflect new and troubling ways of experiencing pain, hope, and freedom.
Laura Salisbury, Andrew Shail
"An exploration of the habits of the modern era beside cultural notions discovering brain function and the nervous system to be central to health and illness. It looks at debates within neurology and culture through neurological works, popular advice, and the appearance of neurological disorders within the aesthetic artefacts of modernity"--Provided by publisher.
Wayne Bethard
Powder papers, booty balls, and sugar tits- Lotions, Potions, and Deadly Elixirs has a cure for whatever ails! These quaint names were given to popular medicinal forms during America's frontier era that were said to cure everything from fallen arches to a broken windmill. Grandmas, mommas, and even certified physicians treated the sick, lame, and unlucky with what was available: barbed wire and horseshoe nails, cactus, pokeweed, buckeyes, you name it. Ironically, a lot of these homespun treatments actually worked. In Lotions, Potions, and Deadly Elixirs, a practicing pharmacist takes a light-hearted look at the most popular medicines from the frontier days and how they were intended to work. -- Provided by publisher. Gives an account of early-day medicines and medical practitioners during the past two to three centuries in America.
Aleksandr B. Kamenskii
Russia's eighteenth-century drive toward modernity and empire under the two "greats" - Peter I and Catherine II - is fully captured in this new work by one of Russia's outstanding young historians. Kamenskii develops three themes: Russia's encounter with European civilization; the transformation of "Holy Russia" into a multinational empire; and the effects of efforts from above to modernize Russia selectively along Western lines. Writing in a clear, crisp style, the author enlivens his narrative with observations from contemporary literary figures and political commentators that illuminate the significance of the events he describes. In preparing this first history of eighteenth-century Russia to be written in many years, Kamenskii has drawn on the work of several generations of historians from many nations. His goal - gracefully achieved - has been to produce a readable, one-volume synthesis revealing the events and processes that were of greatest importance in transforming Russia into one of the world's most lasting empires.
interviews and conversations with John C. Tibbetts
Schumann: A Chorus of Voices is a significant contribution to Schumann's 200th-birthday year, 2010. In these hitherto unpublished interviews and conversations, more than thirty biographers, musicians, critics, and commentators offer their own unique perspectives on Schumann's life, work, controversies, and place in the history of Romantic music. Gathered by Schumann scholar John C. Tibbetts during more than thirty years of travel and research, these intimate and informal talks take the reader "backstage" to the rehearsal hall, scholar's study, archive, and music festival. Included are musicians Dietrich Fischer-Dieskau, Erich Leinsdorf, Jörg Demus, Emanuel Ax, Elly Ameling, Thomas Hampson, Steven Isserlis, Marin Alsop; scholars and biographers Jacques Barzun, Nancy B. Reich, Peter Ostwald, Leon Plantinga, and Larry Todd; critics and commentators Martin Bookspan, Eugenia Zuckerman, and Maurice Sendak; and archivists Gerd Nauhaus, Ute Baer, and Joachim Draheim. The accompanying disc features Van Cliburn Gold Medalist Jose Feghali performing and discussing Schumann's Carnaval, Opus 9, and pianist Ronald Brautigam performing the complete Noveletten, Opus 21 [Publisher description].