The mother-in-law diaries

Sample

Charles Baxter

In a novel of extraordinary resonance and power, Charles Baxter takes us backward through the lives of Hugh and Dorsey Welch, a brother and sister born and raised in a small Michigan town. We meet them as adults - Dorsey , an eminent astrophysicist, Hugh a quiet unassuming Buick salesman in their hometown - and discover their pasts: difficult marriages, dark and destructive love affairs, moments of triumph, of disappointment, of sheer joy. As he traces their paths back to the day of Dorsey's birth, Baxter reveals the experiences that put such a distance between Hugh and Dorsey, and the ties of imperfect love that bind them together. And as Paul Auster has written, "gradually we begin to understand that Baxter is telling our own story, that this is how our own lives are formed within us." --Publisher.

Sample

Noley Reid

It's the summer of 1982 in Blacksburg, Virginia--seven years after the suspicious death of a son and sibling--and the Sobel family is hungry. Francie dresses in tennis skirts and ankle socks and weighs her grams of allotted carrots and iceberg lettuce. Her semi-estranged husband Tate prefers a packed fridge and hidden doughnuts. Daughters Enid, ten, and Vivvy, almost thirteen, are subtler versions of their parents, measuring their summer vacation by meals had or meals skipped. But at summer's end, secrets both old and new emerge and Francie disappears, leaving the family teetering on the brink. Told from alternating points of view by the four living Sobels, Pretend We Are Lovely is a sharp and darkly funny story of forgiveness, family secrets, and the losses we inherit. At its core is the ever-complicated and deeply-devoted bond of sisterhood as the girls, left mostly to their own devices, must navigate their way through middle school, find comfort in each other, and learn the difference between food and nourishment.

Sample

Jay McInerney

"The crowning achievement from the preeminent writer of his generation: following Brightness Falls and The Good Life, Bright, Precious Things builds on a series increasingly akin to John Updike's Rabbit novels but with a long-standing if weathered couple at its heart. Russell and Corrine Calloway seem to be living the New York dream: book parties one night and high-society charity events the next; jobs they care about (and actually enjoy); twin children, a boy and a girl whose birth was truly miraculous; a loft in Tribeca and summers in the Hamptons. But all of this comes at a high cost. Russell, an independent publisher, has cultural clout but minimal cash; as he navigates an industry that requires, beyond astute literary taste, constant financial improvisation, he encounters an audacious, expensive and potentially ruinous opportunity. Meanwhile, instead of seeking personal profit in this incredibly wealthy city, Corrine is devoted to feeding its hungry poor, and they soon discover they're being priced out of their now fashionable neighborhood. Then Corrine's world is turned upside down when the man with whom she'd had an ill-fated affair in the wake of 9/11 suddenly reappears. As the novel unfolds across a period of stupendous change including Obama's historic election and the global economic collapse he inherited the Calloways will find themselves and their marriage tested more severely than they ever could have anticipated"--

Sample

Michelle Hoover

"Despite having little in common, Eddie [Enidina] and Mary need one another for survival and companionship. But as the Great Depression threatens, the delicate balance of their reliance on one another tips, pitting neighbor against neighbor, exposing the dark secrets they hide from one another, and triggering a series of disquieting events that threaten to unravel not only their friendship but their families as well."--Flap on front cover.