The nature of monsters

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Richard Dawkins

Britain's greatest science writer comprehensively rebuts the creationists by pulling together the incontrovertible evidence for evolution. Charles Darwin's masterpiece, _On the Origin of Species_, shook society to its core on publication in 1859. Darwin was only too aware of the storm his theory of evolution would provoke but he would surely have raised an incredulous eyebrow at the controversy still raging a century and a half later. Evolution is accepted as scientific fact by all reputable scientists and indeed theologians, yet millions of people continue to question its veracity. In _The Greatest Show on Earth_ Richard Dawkins takes on creationists, including followers of 'Intelligent Design' and all those who question the fact of evolution through natural selection. Like a detective arriving on the scene of a crime, he sifts through fascinating layers of scientific facts and disciplines to build a cast-iron case: from the living examples of natural selection in birds and insects; the 'time clocks' of trees and radioactive dating that calibrate a timescale for evolution; the fossil record and the traces of our earliest ancestors; to confirmation from molecular biology and genetics. All of this, and much more, bears witness to the truth of evolution. The Greatest Show on Earth comes at a critical time: systematic opposition to the fact of evolution is now flourishing as never before, especially in America. In Britain and elsewhere in the world, teachers witness insidious attempts to undermine the status of science in their classrooms. Richard Dawkins provides unequivocal evidence that boldly and comprehensively rebuts such nonsense. At the same time he shares with us his palpable love of the natural world and the essential role that science plays in its interpretation. Written with elegance, wit and passion, it is hard-hitting, absorbing and totally convincing.

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G.K. Chesterton

Can you trust yourself when you don't know who you are? In a park in London, secret policeman Gabriel Syme strikes up a conversation with an anarchist. Sworn to do his duty, Syme uses his new acquaintance to go undercover in Europe's Central Anarchist Council and infiltrate their deadly mission, even managing to have himself voted to the position of 'Thursday'. When Syme discovers another undercover policeman on the Council, however, he starts to question his role in their operations. And as a desperate chase across Europe begins, his confusion grows, as well as his confidence in his ability to outwit his enemies. But he has still to face the greatest terror that the Council has: a man named Sunday, whose true nature is worse than Syme could ever have imagined...

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Stephen Jay Gould

What would the world have been like, if George Bailey of "It's A Wonderful Life" hadn't been born? George was lucky enough to have an angel that could roll back the tape of life and show him how things would have been different. He learned that one contingency changes everything. In "Wonderful LIfe", an homage to the American classic film, "It's A Wonderful Life", Stephen J. Gould plays the role of the angel, rolling back the tape of life a half billion years for his readers through the lens of the Burgess Shale (British Columbia), arguably the most important fossil site on the planet. His theme of contingency plays out as he discusses the many unique forms of life that might have, if things had gone differently, become the dominant forms on this planet, and how they contrast with those of today -- the one's that survived. Along the way he tells the story of the discovery and discovers of the Shale, how it was first interpreted in terms of prevalent beliefs about the origins of life, and how it has subsequently been re-interpreted in light of knowledge. So enjoy the "film", but be sure to bring along a cup of coffee and a dictionary -- with Gould's intense writing style you're likely to need both!

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Michael Crichton als Jeffery Hudson

A Case of Need is a medical thriller/mystery novel written by Michael Crichton, his fourth novel and the only under the pseudonym Jeffery Hudson. It was first published in 1968 by The World Publishing Company (New York) and won an Edgar Award in 1969.[1] Also contained in: Case of Need / Terminal Man