The open wound

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Penelope Lively

"Story-telling is an ingrained habit; I wouldn't know what else to do. But the mythology that is intriguing today is that of imagined alternatives. Somehow, choice and contingency have landed you where you are, as the person that you are, and the whole process seems so precarious that you look back at those climatic moments when things might have gone differently, when life might have spun off in some other direction, and wonder at this apparently arbitrary outcome". In this fascinating new piece of fiction, Penelope Lively takes moments from her own life and asks "what if" she had made other choices: what if she hadn't escaped from Alexandria at the outbreak of WWII? What would her life have been like if she had become pregnant when she was 18? If she had married someone else? If she taken a different job? If she had lived her life abroad? In this highly original work, Penelope Lively examines alternative destinies, choices and the moments in our lives when we could have chosen a different path....

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David B. Morris

We become ill in ways our parents and grandparents did not, with diseases unheard of and treatments undreamed of by them. Illness has changed in the postmodern era--roughly the period since World War II--as dramatically as technology, transportation, and the texture of everyday life. Exploring these changes, David B. Morris tells the fascinating story, or stories, of what goes into making the postmodern experience of illness different, perhaps unique. Even as he decries the overuse and misuse of the term "postmodern," Morris shows how brightly ideas of illness, health, and postmodernism illuminate one another in late-twentieth-century culture. Modern medicine traditionally separates disease--an objectively verified disorder--from illness--a patient's subjective experience. Postmodern medicine, Morris says, can make no such clean distinction instead, it demands a biocultural model, situating illness at the crossroads of biology and culture. Maladies such as chronic fatigue syndrome and post-traumatic stress disorder signal our awareness that there are biocultural ways of being sick. The biocultural vision of illness not only blurs old boundaries but also offers a new and infinitely promising arena for investigating both biology and culture. In many ways Illness and Culture in the Postmodern Age leads us to understand our experience of the world differently.

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Richard A. Posner

"The most exciting development in legal thinking since World War II has been the growth of interdisciplinary legal studies - the application of the social sciences and the humanities to law in the hope of making law less formalistic, more practical, better grounded empirically, better tailored to social goals. Judge Richard A. Posner has been a leader in this movement, and his new book explores its rapidly expanding frontier."--BOOK JACKET.

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Sara Gruen

After embarrassing themselves at the social event of the year in high society Philadelphia on New Year's Eve of 1942, Maddie and Ellis Hyde are cut off financially by Ellis's father, a former army Colonel who is already embarrassed by his son's inability to serve in WWII due to his being colorblind. To Maddie's horror, Ellis decides that the only way to regain his father's favor is to succeed in a venture his father attempted and very publicly failed at: he will hunt the famous Loch Ness monster. When he finds it, he will restore his father's name and return to his father's good graces (and pocketbook). Joined by their friend Hank, a wealthy socialite, the three make their way to Scotland in the midst of war. Each day the two men go off to hunt the monster, while another monster, Hitler, is devastating Europe. And Maddie, now alone in a foreign country, must begin to figure out who she is and what she wants. The novel tells of Maddie's social awakening: to the harsh realities of life, to the beauties of nature, to a connection with forces larger than herself, to female friendship, and finally, to love.