The Origin of Species

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Steven Galloway

This brilliant novel with universal resonance tells the story of three people trying to survive in a city rife with the extreme fear of desperate times, and of the sorrowing cellist who plays undaunted in their midst. One day a shell lands in a bread line and kills twenty-two people as the cellist watches from a window in his flat. He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the twenty-two victims. The Adagio had been re-created from a fragment after the only extant score was firebombed in the Dresden Music Library, but the fact that it had been rebuilt by a different composer into something new and worthwhile gives the cellist hope. Meanwhile, Kenan steels himself for his weekly walk through the dangerous streets to collect water for his family on the other side of town, and Dragan, a man Kenan doesn’t know, tries to make his way towards the source of the free meal he knows is waiting. Both men are almost paralyzed with fear, uncertain when the next shot will land on the bridges or streets they must cross, unwilling to talk to their old friends of what life was once like before divisions were unleashed on their city. Then there is “Arrow,” the pseudonymous name of a gifted female sniper, who is asked to protect the cellist from a hidden shooter who is out to kill him as he plays his memorial to the victims. In this beautiful and unforgettable novel, Steven Galloway has taken an extraordinary, imaginative leap to create a story that speaks powerfully to the dignity and generosity of the human spirit under extraordinary duress. Praise for Steven Galloway’s The Cellist of Sarajevo: “Though the setting is the siege of Sarajevo in the 1990s, this gripping novel transcends time and place. It is a universal story, and a testimony to the struggle to find meaning, grace, and humanity, even amid the most unimaginable horrors. ”—Khaled Hosseini, author of The Kite Runner and A Thousand Splendid Suns “I cannot imagine a lovelier, more beautifully wrought book about the depravity of war as The Cellist of Sarajevo. Each chapter is a brief glimpse at yet another aspect of the mind, the heart, the soul—altogether Galloway gives us fine, deep notes of human music which will remain long after the final page. —ZZ Packer, author of Drinking Coffee Elsewhere “A grand and powerful novel about how people retain or reclaim their humanity when they are under extreme duress. ”—Yann Martel, author of Life of Pi “A gripping story of Sarajevo under siege. ”—J. M. Coetzee, author of Disgrace and Diary of a Bad Year “Steven Galloway’s The Cellist of Sarajevo is a wonderful story, a tribute to the human spirit in the face of insanity. ”—Kevin Baker, author of Dreamland and Paradise Alley

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James McBride

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighbourhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community-heaven and earth-that sustain us.

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Eimear McBride

Eimear McBride's novel tells the story of a young woman's relationship with her brother who is living with the after effects of a brain tunour. Not so much a stream of consciousness, as an unconscious railing against a life that makes little sense, and a shocking and intimate insight into the thoughts, feelings and sensual urges of a vulnerable and isolated protagonist, to read A Girl is a Half-Formed Thing is to plunge inside its narrator's head, experiencing her world first-hand. This isn't always comfortable - but it is always a revelation. Eimear McBride's debut tells, with astonishing insight and in brutal detail, the story of a young woman's relationship with her brother, and the long shadow cast by his childhood brain tumour. Not so much a stream of consciousness, as an unconscious railing against a life that makes little sense, and a shocking and intimate insight into the thoughts, feelings and chaotic sexuality of a vulnerable and isolated protagonist, to read A Girl Is A Half-Formed Thing is to plunge inside its narrator's head, experiencing her world first-hand. This isn't always comfortable - but it is always a revelation. Touching on everything from family violence to sexuality and the personal struggle to remain intact in times of intense trauma, McBride writes with singular intensity, acute sensitivity and mordant wit. A Girl is a Half-formed Thing is moving, funny - and alarming. It is a book you will never forget. The story is about a young woman's relationship with her older brother, who suffers a brain tumour in childhood that later returns when he is a young man. It spans roughly 20 years and is set largely in an isolated farming community in the west of Ireland at a time when the Catholic Church dominated every facet of a person's life. The first thing that strikes you about the novel is the prose style, which ignores all the usual conventions about use of the English language and quite brilliantly furrows its own unique groove. While it sputters along in fits and starts using half-formed sentences, incorrect grammar and isolated words, there are enough bursts of fluid and lucid writing to orientate the reader.

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Emma Donoghue

Set in the Irish Midlands in the 1850s, Emma Donoghue's *The Wonder* - inspired by numerous European and North American cases of 'fasting girls' between the sixteenth century and the twentieth - is a psychological thriller about a child's murder threatening to happen in slow motion before our eyes. Pitting all the seductions of fundamentalism against sense and love, it is a searing examination of what nourishes us, body and soul. ------- In this masterpiece by Emma Donoghue, an English nurse brought to a small Irish village to observe what appears to be a miracle -- a girl said to have survived without food for months -- soon finds herself fighting to save the child's life. Tourists flock to the cabin of eleven-year-old Anna O'Donnell, who believes herself to be living off manna from heaven, and a journalist is sent to cover the sensation. Lib Wright, a veteran of Florence Nightingale's Crimean campaign, is hired to keep watch over the girl. As Anna deteriorates, Lib finds herself responsible not just for the care of a child, but for getting to the root of why the child may actually be the victim of murder in slow motion. Written with all the propulsive tension that made *Room* a huge bestseller, *The Wonder* works beautifully on many levels--a tale of two strangers who transform each other's lives, a powerful psychological thriller, and a story of love pitted against evil.